Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
| Beide Seiten der vorigen Revision Vorhergehende Überarbeitung | |||
| en:mei-friend-compendium [2026/05/12 00:57] – egorpoly | en:mei-friend-compendium [2026/06/03 23:54] (aktuell) – [Generalbass] egorpoly | ||
|---|---|---|---|
| Zeile 291: | Zeile 291: | ||
| <code xml> | <code xml> | ||
| - | <harm tstamp=" | + | < |
| <fb> | <fb> | ||
| < | < | ||
| Zeile 302: | Zeile 302: | ||
| * '' | * '' | ||
| * '' | * '' | ||
| + | * '' | ||
| + | * '' | ||
| === How do we align figured bass with notes or harmonic events? === | === How do we align figured bass with notes or harmonic events? === | ||
| Zeile 313: | Zeile 315: | ||
| The most common attachment methods are '' | The most common attachment methods are '' | ||
| - | For practical work, I recommend: | + | For practical work in this corpus, I recommend: |
| - | * use '' | + | * use '' |
| - | * use '' | + | * use fractional timestamps such as '' |
| - | * prefer | + | * avoid mixing '' |
| + | * use '' | ||
| === Example with '' | === Example with '' | ||
| Zeile 329: | Zeile 332: | ||
| </ | </ | ||
| - | <harm tstamp=" | + | < |
| <fb> | <fb> | ||
| < | < | ||
| Zeile 337: | Zeile 340: | ||
| </ | </ | ||
| - | === Example with '' | + | === Example with sequential figures under one bass note === |
| <code xml> | <code xml> | ||
| <measure n=" | <measure n=" | ||
| - | <staff n="1"> | + | <staff n="3"> |
| <layer n=" | <layer n=" | ||
| - | <note pname=" | + | <note pname=" |
| </ | </ | ||
| </ | </ | ||
| - | < | + | < |
| + | < | ||
| + | < | ||
| + | </ | ||
| + | </ | ||
| + | <harm staff=" | ||
| <fb> | <fb> | ||
| < | < | ||
| - | < | ||
| </fb> | </fb> | ||
| </ | </ | ||
| </ | </ | ||
| </ | </ | ||
| + | |||
| + | Use this pattern when the source shows two separate figured-bass signs during one written bass note, for example a quarter note whose harmony moves like two eighths. | ||
| + | |||
| + | Do **not** create an extra ''< | ||
| === Ordering of figures === | === Ordering of figures === | ||
| - | The order of '' | + | The order of '' |
| So this: | So this: | ||
| Zeile 369: | Zeile 380: | ||
| </ | </ | ||
| - | is not just an arbitrary list; the order carries meaning. | + | means a stacked figure, not a sequence over time. It is not the same as '' |
| + | |||
| + | For a time sequence, use separate ''< | ||
| + | |||
| + | <code xml> | ||
| + | <harm staff=" | ||
| + | < | ||
| + | < | ||
| + | </ | ||
| + | </ | ||
| + | <harm staff=" | ||
| + | < | ||
| + | < | ||
| + | </ | ||
| + | </ | ||
| + | </ | ||
| === Accidentals in figured bass === | === Accidentals in figured bass === | ||
| Zeile 378: | Zeile 404: | ||
| <code xml> | <code xml> | ||
| - | <harm tstamp=" | + | < |
| <fb> | <fb> | ||
| < | < | ||
| Zeile 388: | Zeile 414: | ||
| * use '' | * use '' | ||
| - | * prefer '' | + | * prefer '' |
| - | * use '' | + | * use fractional timestamps for mid-note figure changes |
| + | * use multiple | ||
| + | * use multiple ''< | ||
| + | * avoid local '' | ||
| + | * avoid artificial ''< | ||
| * preserve figure order as written | * preserve figure order as written | ||
| * keep editorial additions explicitly distinguishable from source readings | * keep editorial additions explicitly distinguishable from source readings | ||
| - | |||
| ==== Ties ==== | ==== Ties ==== | ||