Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
| Nächste Überarbeitung | Vorhergehende Überarbeitung | ||
| 
                    en:modules [2021/09/09 13:54] andres_romero angelegt  | 
                
                    en:modules [2021/09/10 15:25] (aktuell) martin  | 
            ||
|---|---|---|---|
| Zeile 1: | Zeile 1: | ||
| ===== Lessons and modules ===== | ===== Lessons and modules ===== | ||
| - | |||
| - | The modules and tutorials provided here introduce various possibilities of computer-assisted analysis of sheet music and audio files on the basis of music-analytical questions. Each of the two teaching units Sheet Music or Audio consists of a basic module (Basics Sheet Music or Basics Audio) and a specialization (Advanced Sheet Music or Advanced Audio).  | ||
| * [[basics1|Module Basics Sheet Music]] | * [[basics1|Module Basics Sheet Music]] | ||
| Zeile 9: | Zeile 7: | ||
| * [[advanced2|Advanced Audio Module]] | * [[advanced2|Advanced Audio Module]] | ||
| - | The teaching units (Lessons)  | + | These modules with several tutorials introduce various possibilities of computer-assisted analysis of sheet music and audio files on the basis of music-analytical questions.  | 
| - | + | ||
| - | + | ||
| - | But first to the question: | + | |
| Zeile 18: | Zeile 13: | ||
| There are certainly many different objectives for analyzing music. However, the following two motives are fundamental: | There are certainly many different objectives for analyzing music. However, the following two motives are fundamental: | ||
| - |   * How does a certain effect of the music come about?  | + |   * I want to discover and experience, comprehend and understand something that closes itself to me when I hear it for the first time: How does a certain effect of the music come about?  | 
| - |   * Or I want to illustrate or clarify something especially  | + |   * Or I want to illustrate or clarify something especially  | 
| - | Analysis as a discovery and descriptive approach to music always means making musical events explicit, and is thus a means for understanding and a prerequisite for communicating music. | + | Analysis as a discovery and descriptive approach to music always means making musical events explicit, and is thus a means for understanding  | 
| There are a number of applications and objectives of musical analysis. Here are perhaps the most important: | There are a number of applications and objectives of musical analysis. Here are perhaps the most important: | ||
| - | * Piece analysis: the special features of a particular piece are analytically worked out. On this basis, an interpretation of the piece can then be made, e.g. with regard to specific effects and meanings. | + | * Analysis of a single piece of music: the special features of a particular piece are analytically worked out. On this basis, an interpretation of the piece can then be made, e.g. with regard to specific effects and meanings. | 
|   * Stylistic analysis: The presentation of the peculiarities of a certain style in a temporally or regionally delimited area or of a personal style. Examples of individual compositions or performances that are typical of a particular style may be examined - or an attempt may be made to derive the style from an analysis of //all// (or as many as possible) pieces.  |   * Stylistic analysis: The presentation of the peculiarities of a certain style in a temporally or regionally delimited area or of a personal style. Examples of individual compositions or performances that are typical of a particular style may be examined - or an attempt may be made to derive the style from an analysis of //all// (or as many as possible) pieces.  | ||
| - | * Music historical perspective: what stylistic directions can be determined? How are they related to each other on a level of tonal design and how do they differ from each other? | + | * Music history: what stylistic directions can be determined? How are they related to each other on a level of tonal design and how do they differ from each other? | 
| - | Today, the various procedures and approaches  | + | Today, the various procedures and approaches  | 
| - | The methodical extension cannot and does not want to replace the // | + | The methodical extension cannot and does not want to replace the // | 
| - | The teaching unit // | + | The tutorial  | 
| The project is currently in the testing phase. Feedback is welcome: [[analyse@hfm-weimar.de]] | The project is currently in the testing phase. Feedback is welcome: [[analyse@hfm-weimar.de]] | ||