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 There are certainly many different objectives for analyzing music. However, the following two motives are fundamental: There are certainly many different objectives for analyzing music. However, the following two motives are fundamental:
    
-  * How does a certain effect of the music come about?  What is it about what makes listening to a certain piece of music moving or exciting or just beautiful?  +  * I want to discover and experience, comprehend and understand something that closes itself to me when I hear it for the first time: How does a certain effect of the music come about?  What is it about what makes listening to a certain piece of music moving or exciting or just beautiful?  
   * Or I want to illustrate or clarify something especially in order to convey and share my experience of the music with others.    * Or I want to illustrate or clarify something especially in order to convey and share my experience of the music with others. 
  
-Analysis as a discovery and descriptive approach to music always means making musical events explicit, and is thus a means for understanding and a prerequisite for communicating music.+Analysis as a discovery and descriptive approach to music always means making musical events explicit, and is thus a means for understanding music and a prerequisite for communicating music.
  
 There are a number of applications and objectives of musical analysis. Here are perhaps the most important: There are a number of applications and objectives of musical analysis. Here are perhaps the most important:
-  * Piece analysis: the special features of a particular piece are analytically worked out. On this basis, an interpretation of the piece can then be made, e.g. with regard to specific effects and meanings.+  * Analysis of a single piece of music: the special features of a particular piece are analytically worked out. On this basis, an interpretation of the piece can then be made, e.g. with regard to specific effects and meanings.
   * Stylistic analysis: The presentation of the peculiarities of a certain style in a temporally or regionally delimited area or of a personal style. Examples of individual compositions or performances that are typical of a particular style may be examined - or an attempt may be made to derive the style from an analysis of //all// (or as many as possible) pieces.    * Stylistic analysis: The presentation of the peculiarities of a certain style in a temporally or regionally delimited area or of a personal style. Examples of individual compositions or performances that are typical of a particular style may be examined - or an attempt may be made to derive the style from an analysis of //all// (or as many as possible) pieces. 
-  * Music historical perspective: what stylistic directions can be determined? How are they related to each other on a level of tonal design and how do they differ from each other?+  * Music history: what stylistic directions can be determined? How are they related to each other on a level of tonal design and how do they differ from each other?
  
-Today, the various procedures and approaches of musical analysis can be extended by computer-aided methods of visualization, statistical evaluation and targeted pattern search. This is what the teaching unit (Lessons) on musical analysis is about.+Today, the various procedures and approaches to musical analysis can be extended by computer-aided methods of visualization, statistical evaluation and targeted pattern search. This is what the tutorials are about.
  
-The methodical extension cannot and does not want to replace the //listening// of music and the examination of the //musical text// in any case - but rather wants to extend and empirically substantiate it. +The methodical extension cannot and does not want to replace the //listening// of music and the examination of the sheet music in any case - but rather wants to extend and empirically substantiate it. 
  
-The teaching unit //(Lessons)// on audio analysis focuses on recordings - and thus on listening to music. Recordings can also be visualized with the help of the computer, especially by displaying the spectral energy distribution in relation to time ([[basics2|Basics Audio]]). For recordings of popular music, of ethnic music, but also of electroacoustic music, new analytical approaches have been developed in which musical notation sometimes plays no role ([[advanced2|Advanced Audio]]).+The tutorial on audio analysis focuses on recordings - and thus on listening to music. Recordings can also be visualized with the help of the computer, especially by displaying the spectral energy distribution in relation to time ([[basics2|Basics Audio]]). For recordings of popular music, of ethnic music, but also of electroacoustic music, new analytical approaches have been developed in which musical notation sometimes plays no role ([[advanced2|Advanced Audio]]).
  
 The project is currently in the testing phase. Feedback is welcome: [[analyse@hfm-weimar.de]] The project is currently in the testing phase. Feedback is welcome: [[analyse@hfm-weimar.de]]
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