notenauswahl

Unterschiede

Hier werden die Unterschiede zwischen zwei Versionen angezeigt.

Link zu dieser Vergleichsansicht

Beide Seiten der vorigen Revision Vorhergehende Überarbeitung
Nächste Überarbeitung 		Vorhergehende Überarbeitung
notenauswahl [2021/11/10 08:13]
andres_romero [Ockeghem, Johannes (1420/1425-1497)] 		notenauswahl [2021/11/12 13:53] (aktuell)
martin [Subkorpus der Notendatenbank]
Zeile 5: Zeile 5:
 Alle MusicXML-Dateien wurden auf ihre Qualität und auf mögliche Fehler geprüft. In dieser Auswahl sind alle Noten enthalten, die in den Modulen zur Notenanalyse und den entsprechenden Aufgaben verwendet werden. Alle MusicXML-Dateien wurden auf ihre Qualität und auf mögliche Fehler geprüft. In dieser Auswahl sind alle Noten enthalten, die in den Modulen zur Notenanalyse und den entsprechenden Aufgaben verwendet werden.
  
-In der letzten Spalte der Tabellen finden Sie zusätzlich einen Link zu einer Datei (sv-Format), die im [[https://analyse.hfm-weimar.de/doku.php?id=installation#sonic_visualiser|Sonic Visualiser]] als Pianorolle dargestellt und zugleich mit MIDI-Klängen abgespielt werden kann. Eine detaillierte Anweisung, wie Sie dabei vorgehen müssen, finden Sie [[sv-pianoroll|hier]]. +In der letzten Spalte der Tabellen finden Sie zusätzlich den Download-Link zu einer Datei im sv-Format, die im [[https://analyse.hfm-weimar.de/doku.php?id=installation#sonic_visualiser|Sonic Visualiser]] als Pianorolle dargestellt und zugleich mit MIDI-Klängen abgespielt werden kann. Eine detaillierte Anweisung, wie Sie dabei vorgehen müssen, finden Sie [[sv-pianoroll|hier]]. 
 ==== Dufay, Guillaume (1397-1474) ==== ==== Dufay, Guillaume (1397-1474) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
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 ==== Josquin des Prez (1450/55-1521) ==== ==== Josquin des Prez (1450/55-1521) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Jos0602 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_1-5_MissaLhomm_002_00066.xml|Missa L'homme arme sexti toni - Kyrie]] | +|Jos0602 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_1-5_MissaLhomm_002_00066.xml|Missa L'homme arme sexti toni - Kyrie]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_1-5_MissaLhomm_002_00066.sv|Download]] | 
-|Jos0602 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_2-5_MissaLhomm_002_00067.xml|Missa L'homme arme sexti toni - Gloria]] | +|Jos0602 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_2-5_MissaLhomm_002_00067.xml|Missa L'homme arme sexti toni - Gloria]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_2-5_MissaLhomm_002_00067.sv|Download]] | 
-|Jos0602 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_3-5_MissaLhomm_002_00068.xml|Missa L'homme arme sexti toni - Credo]] | +|Jos0602 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_3-5_MissaLhomm_002_00068.xml|Missa L'homme arme sexti toni - Credo]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_3-5_MissaLhomm_002_00068.sv|Download]] | 
-|Jos0602 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_4-5_MissaLhomm_002_00069.xml|Missa L'homme arme sexti toni - Sanctus]] | +|Jos0602 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_4-5_MissaLhomm_002_00069.xml|Missa L'homme arme sexti toni - Sanctus]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_4-5_MissaLhomm_002_00069.sv|Download]] | 
-|Jos0602 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_5-5_MissaLhomm_002_00070.xml|Missa L'homme arme sexti toni - Agnus Dei]] | +|Jos0602 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_5-5_MissaLhomm_002_00070.xml|Missa L'homme arme sexti toni - Agnus Dei]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_5-5_MissaLhomm_002_00070.sv|Download]] | 
-|Jos0603 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_1-5_MissaLhomm_002_00071.xml|Missa L'homme arme super voces musicales - Kyrie]] | +|Jos0603 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_1-5_MissaLhomm_002_00071.xml|Missa L'homme arme super voces musicales - Kyrie]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_1-5_MissaLhomm_002_00071.sv|Download]] | 
-|Jos0603 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_2-5_MissaLhomm_002_00072.xml|Missa L'homme arme super voces musicales - Gloria]] | +|Jos0603 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_2-5_MissaLhomm_002_00072.xml|Missa L'homme arme super voces musicales - Gloria]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_2-5_MissaLhomm_002_00072.sv|Download]] | 
-|Jos0603 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_3-5_MissaLhomm_002_00073.xml|Missa L'homme arme super voces musicales - Credo]] | +|Jos0603 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_3-5_MissaLhomm_002_00073.xml|Missa L'homme arme super voces musicales - Credo]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_3-5_MissaLhomm_002_00073.sv|Download]] | 
-|Jos0603 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_4-5_MissaLhomm_002_00074.xml|Missa L'homme arme super voces musicales - Sanctus]] | +|Jos0603 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_4-5_MissaLhomm_002_00074.xml|Missa L'homme arme super voces musicales - Sanctus]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_4-5_MissaLhomm_002_00074.sv|Download]] | 
-|Jos0603 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_5-5_MissaLhomm_002_00075.xml|Missa L'homme arme super voces musicales - Agnus Dei]] |+|Jos0603 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_5-5_MissaLhomm_002_00075.xml|Missa L'homme arme super voces musicales - Agnus Dei]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_5-5_MissaLhomm_002_00075.sv|Download]] | 
  
  
 ==== Monteverdi, Claudio (1567-1643) ==== ==== Monteverdi, Claudio (1567-1643) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|SV.94 |COM |COM |1605 | |[[https://analyse.hfm-weimar.de/database/03/MoCl_SV94_COM_COM_CrudaAmari_003_00827.xml|Cruda Amarilli che col nome ancora d’amar]] |+|SV.94 |COM |COM |1605 | |[[https://analyse.hfm-weimar.de/database/03/MoCl_SV94_COM_COM_CrudaAmari_003_00827.xml|Cruda Amarilli che col nome ancora d’amar]] | [[https://analyse.hfm-weimar.de/database/sv/MoCl_SV94_COM_COM_CrudaAmari_003_00827.sv|Download]] | 
  
  
 ==== Buxtehude, Dietrich (1637-1707) ==== ==== Buxtehude, Dietrich (1637-1707) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.1 |2-7 |COM |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/01/BuDi_Op1_2-7_COM_TrioSonata_001_00066.xml|Trio Sonata in G major]] | +|Op.1 |2-7 |COM |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/01/BuDi_Op1_2-7_COM_TrioSonata_001_00066.xml|Trio Sonata in G major]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_COM_TrioSonata_001_00066.sv|Download]] | 
-|Op.1 |2-7 |1-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_1-6_SonatainGm_003_00199.xml|Sonata in G major, Op. 1, No. 2 - Lento, Mvmt. 1]] | +|Op.1 |2-7 |1-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_1-6_SonatainGm_003_00199.xml|Sonata in G major, Op. 1, No. 2 - Lento, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_1-6_SonatainGm_003_00199.sv|Download]] |  
-|Op.1 |2-7 |2-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_2-6_SonatainGm_003_00200.xml|Sonata in G major, Op. 1, No. 2 - Vivace, Mvmt. 2]] | +|Op.1 |2-7 |2-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_2-6_SonatainGm_003_00200.xml|Sonata in G major, Op. 1, No. 2 - Vivace, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_2-6_SonatainGm_003_00200.sv|Download]] | 
-|Op.1 |2-7 |3-6 |1694 |E-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_3-6_SonatainGm_003_00201.xml|Sonata in G major, Op. 1, No. 2 - Adagio, Mvmt. 3]] | +|Op.1 |2-7 |3-6 |1694 |E-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_3-6_SonatainGm_003_00201.xml|Sonata in G major, Op. 1, No. 2 - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_3-6_SonatainGm_003_00201.sv|Download]] | 
-|Op.1 |2-7 |4-6 |1694 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_4-6_SonatainGm_003_00202.xml|Sonata in G major, Op. 1, No. 2 - Allegro, Mvmt. 4]] | +|Op.1 |2-7 |4-6 |1694 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_4-6_SonatainGm_003_00202.xml|Sonata in G major, Op. 1, No. 2 - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_4-6_SonatainGm_003_00202.sv|Download]] | 
-|Op.1 |2-7 |5-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_5-6_SonatainGm_003_00203.xml|Sonata in G major, Op. 1, No. 2 - Largo, Mvmt. 5]] | +|Op.1 |2-7 |5-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_5-6_SonatainGm_003_00203.xml|Sonata in G major, Op. 1, No. 2 - Largo, Mvmt. 5]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_5-6_SonatainGm_003_00203.sv|Download]] | 
-|Op.1 |2-7 |6-6 |1694 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_6-6_SonatainGm_003_00204.xml|Sonata in G major, Op. 1, No. 2 - Arioso and Variations, Mvmt. 6]] |+|Op.1 |2-7 |6-6 |1694 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_6-6_SonatainGm_003_00204.xml|Sonata in G major, Op. 1, No. 2 - Arioso and Variations, Mvmt. 6]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_6-6_SonatainGm_003_00204.sv|Download]] |
  
  
 ==== Corelli, Arcangelo (1653-1713) ==== ==== Corelli, Arcangelo (1653-1713) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.1 |1-12 |1-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_1-4_TrioSonata_003_00317.xml|Trio Sonata in F major - Grave, Mvmt. 1]] | +|Op.1 |1-12 |1-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_1-4_TrioSonata_003_00317.xml|Trio Sonata in F major - Grave, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_1-4_TrioSonata_003_00317.sv|Download]] | 
-|Op.1 |1-12 |2-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_2-4_TrioSonata_003_00318.xml|Trio Sonata in F major - Allegro, Mvmt. 2]] | +|Op.1 |1-12 |2-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_2-4_TrioSonata_003_00318.xml|Trio Sonata in F major - Allegro, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_2-4_TrioSonata_003_00318.sv|Download]] | 
-|Op.1 |1-12 |3-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_3-4_TrioSonata_003_00319.xml|Trio Sonata in F major - Adagio, Mvmt. 3]] | +|Op.1 |1-12 |3-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_3-4_TrioSonata_003_00319.xml|Trio Sonata in F major - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_3-4_TrioSonata_003_00319.sv|Download]] | 
-|Op.1 |1-12 |4-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_4-4_TrioSonata_003_00320.xml|Trio Sonata in F major - Allegro, Mvmt. 4]] | +|Op.1 |1-12 |4-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_4-4_TrioSonata_003_00320.xml|Trio Sonata in F major - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_4-4_TrioSonata_003_00320.sv|Download]] | 
-|Op.4 |3-12 |1-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_1-4_TrioSonata_003_00419.xml|Trio Sonata in A major, Mvmt. 1]] | +|Op.4 |3-12 |1-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_1-4_TrioSonata_003_00419.xml|Trio Sonata in A major, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_1-4_TrioSonata_003_00419.sv|Download]] | 
-|Op.4 |3-12 |2-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_2-4_TrioSonata_003_00420.xml|Trio Sonata in A major, Mvmt. 2]] | +|Op.4 |3-12 |2-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_2-4_TrioSonata_003_00420.xml|Trio Sonata in A major, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_2-4_TrioSonata_003_00420.sv|Download]] | 
-|Op.4 |3-12 |3-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_3-4_TrioSonata_003_00421.xml|Trio Sonata in A major, Mvmt. 3]] | +|Op.4 |3-12 |3-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_3-4_TrioSonata_003_00421.xml|Trio Sonata in A major, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_3-4_TrioSonata_003_00421.sv|Download]] | 
-|Op.4 |3-12 |4-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_4-4_TrioSonata_003_00422.xml|Trio Sonata in A major, Mvmt. 4]] |+|Op.4 |3-12 |4-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_4-4_TrioSonata_003_00422.xml|Trio Sonata in A major, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_4-4_TrioSonata_003_00422.sv|Download]] | 
  
  
 ==== Vivaldi, Antonio (1678-1741) ==== ==== Vivaldi, Antonio (1678-1741) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.8 |1-12 |1-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_1-3_ViolinConc_003_01067.xml|Violin Concerto in E major, No. 1 ('La primavera') - Allegro, Mvmt. 1 (composite edition)]] | +|Op.8 |1-12 |1-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_1-3_ViolinConc_003_01067.xml|Violin Concerto in E major, No. 1 ('La primavera') - Allegro, Mvmt. 1 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_1-12_1-3_ViolinConc_003_01067.sv|Download]] | 
-|Op.8 |1-12 |2-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_2-3_ViolinConc_003_01068.xml|Violin Concerto in E major, No. 1 ('La primavera') - Largo, Mvmt. 2 (composite edition)]] | +|Op.8 |1-12 |2-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_2-3_ViolinConc_003_01068.xml|Violin Concerto in E major, No. 1 ('La primavera') - Largo, Mvmt. 2 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_1-12_2-3_ViolinConc_003_01068.sv|Download]] | 
-|Op.8 |1-12 |3-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_3-3_ViolinConc_003_01069.xml|Violin Concerto in E major, No. 1 ('La primavera') - Allegro; Danza Pastorale, Mvmt. 3 (composite edition)]] | +|Op.8 |1-12 |3-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_3-3_ViolinConc_003_01069.xml|Violin Concerto in E major, No. 1 ('La primavera') - Allegro; Danza Pastorale, Mvmt. 3 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_1-12_3-3_ViolinConc_003_01069.sv|Download]] | 
-|Op.8 |2-12 |1-3 |1725 |G-Moll |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_2-12_1-3_ViolinConc_003_01070.xml|Violin Concerto in G minor, No. 2 ('L'estate') - Allegro non molto, Mvmt. 1 (composite edition)]] | +|Op.8 |2-12 |1-3 |1725 |G-Moll |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_2-12_1-3_ViolinConc_003_01070.xml|Violin Concerto in G minor, No. 2 ('L'estate') - Allegro non molto, Mvmt. 1 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_2-12_1-3_ViolinConc_003_01070.sv|Download]] | 
-|Op.8 |2-12 |2-3 |1725 |G-Moll |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_2-12_2-3_ViolinConc_003_01071.xml|Violin Concerto in G minor, No. 2 ('L'estate') - Adagio, Mvmt. 2 (composite edition)]] |+|Op.8 |2-12 |2-3 |1725 |G-Moll |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_2-12_2-3_ViolinConc_003_01071.xml|Violin Concerto in G minor, No. 2 ('L'estate') - Adagio, Mvmt. 2 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_2-12_2-3_ViolinConc_003_01071.sv|Download]] |
  
  
 ==== Bach, Johann Sebastian (1685-1750) ==== ==== Bach, Johann Sebastian (1685-1750) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|BWV 7 |COM |1-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_1-7_CantataChr_004_00038.xml|Cantata "Christ unser Herr zum Jordan kam" - Chorus: Christ unser Herr zum Jordan kam]] | +|BWV 7 |COM |1-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_1-7_CantataChr_004_00038.xml|Cantata "Christ unser Herr zum Jordan kam" - Chorus: Christ unser Herr zum Jordan kam]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_1-7_CantataChr_004_00038.sv|Download]] | 
-|BWV 7 |COM |2+3-7 |1724 |G major |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_2+3-7_CantataChr_004_00039.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (bass): Merkt und hört, ihr Menschenkinder & Recitative (tenor): Dies hat Gott klar mit Worten]] | +|BWV 7 |COM |2+3-7 |1724 |G major |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_2+3-7_CantataChr_004_00039.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (bass): Merkt und hört, ihr Menschenkinder & Recitative (tenor): Dies hat Gott klar mit Worten]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_2+3-7_CantataChr_004_00039.sv|Download]] | 
-|BWV 7 |COM |4-7 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_4-7_CantataChr_004_00040.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (tenor): Des Vaters Stimme ließ sich hören]] | +|BWV 7 |COM |4-7 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_4-7_CantataChr_004_00040.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (tenor): Des Vaters Stimme ließ sich hören]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_4-7_CantataChr_004_00040.sv|Download]] | 
-|BWV 7 |COM |5-7 |1724 |B minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_5-7_CantataChr_004_00041.xml|Cantata "Christ unser Herr zum Jordan kam" - Recitative (bass): Als Jesus dort nach seinen Leiden]] | +|BWV 7 |COM |5-7 |1724 |B minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_5-7_CantataChr_004_00041.xml|Cantata "Christ unser Herr zum Jordan kam" - Recitative (bass): Als Jesus dort nach seinen Leiden]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_5-7_CantataChr_004_00041.sv|Download]] | 
-|BWV 7 |COM |6-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_6-7_CantataChr_004_00042.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (alto): Menschen, glaubt doch dieser Gnade]] | +|BWV 7 |COM |6-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_6-7_CantataChr_004_00042.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (alto): Menschen, glaubt doch dieser Gnade]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_6-7_CantataChr_004_00042.sv|Download]] | 
-|BWV 7 |COM |7-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_7-7_CantataChr_004_00043.xml|Cantata "Christ unser Herr zum Jordan kam" - Chorale: Das Aug allein das Wasser sieht]] | +|BWV 7 |COM |7-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_7-7_CantataChr_004_00043.xml|Cantata "Christ unser Herr zum Jordan kam" - Chorale: Das Aug allein das Wasser sieht]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_7-7_CantataChr_004_00043.sv|Download]] | 
-|BWV 26 |COM |1-6 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_1-6_CantataAch_004_00156.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Chorale fantasia: Ach wie flüchtig, ach wie nichtig]] | +|BWV 26 |COM |1-6 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_1-6_CantataAch_004_00156.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Chorale fantasia: Ach wie flüchtig, ach wie nichtig]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_1-6_CantataAch_004_00156.sv|Download]] | 
-|BWV 26 |COM |2-6 |1724 |C major |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_2-6_CantataAch_004_00157.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Aria (tenor): So schnell ein rauschend Wasser schießt]] | +|BWV 26 |COM |2-6 |1724 |C major |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_2-6_CantataAch_004_00157.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Aria (tenor): So schnell ein rauschend Wasser schießt]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_2-6_CantataAch_004_00157.sv|Download]] | 
-|BWV 26 |COM |3-6 |1724 |C major/E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_3-6_CantataAch_004_00158.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Recitativo (alto): Die Freude wird zur Traurigkeit]] | +|BWV 26 |COM |3-6 |1724 |C major/E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_3-6_CantataAch_004_00158.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Recitativo (alto): Die Freude wird zur Traurigkeit]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_3-6_CantataAch_004_00158.sv|Download]] | 
-|BWV 26 |COM |4+5-6 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_4+5-6_CantataAch_004_00159.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Aria (bass): An irdische Schätze das Herze zu hängen & Recitativo (soprano): Die höchste Herrlichkeit und Pracht]] | +|BWV 26 |COM |4+5-6 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_4+5-6_CantataAch_004_00159.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Aria (bass): An irdische Schätze das Herze zu hängen & Recitativo (soprano): Die höchste Herrlichkeit und Pracht]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_4+5-6_CantataAch_004_00159.sv|Download]] | 
-|BWV 26 |COM |6-6 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_6-6_CantataAch_004_00160.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Chorale: Ach wie flüchtig, ach wie nichtig]] | +|BWV 26 |COM |6-6 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_6-6_CantataAch_004_00160.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Chorale: Ach wie flüchtig, ach wie nichtig]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_6-6_CantataAch_004_00160.sv|Download]] | 
-|BWV 525 |COM |1-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_1-3_Triosonata_004_01362.xml|Triosonatas - Organ Sonata No.1, Mvmt. 1 ]] | +|BWV 525 |COM |1-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_1-3_Triosonata_004_01362.xml|Triosonatas - Organ Sonata No.1, Mvmt. 1 ]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV525_COM_1-3_Triosonata_004_01362.sv|Download]] | 
-|BWV 525 |COM |2-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_2-3_Triosonata_004_01363.xml|Triosonatas - Organ Sonata No.1, Mvmt. 2]] | +|BWV 525 |COM |2-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_2-3_Triosonata_004_01363.xml|Triosonatas - Organ Sonata No.1, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV525_COM_2-3_Triosonata_004_01363.sv|Download]] | 
-|BWV 525 |COM |3-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_3-3_Triosonata_004_01364.xml|Triosonatas - Organ Sonata No.1, Mvmt. 3]] | +|BWV 525 |COM |3-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_3-3_Triosonata_004_01364.xml|Triosonatas - Organ Sonata No.1, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV525_COM_3-3_Triosonata_004_01364.sv|Download]] | 
-|BWV 532 |COM |COM |1710 |D-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV532_COM_COM_Preludesan_004_01382.xml|Preludes and Fugues - Präludium und Fuge in D-Dur ]] | +|BWV 532 |COM |COM |1710 |D-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV532_COM_COM_Preludesan_004_01382.xml|Preludes and Fugues - Präludium und Fuge in D-Dur ]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV532_COM_COM_Preludesan_004_01382.sv|Download]] | 
-|BWV 532a |COM |COM |1710 |D-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV532a_COM_COM_Preludesan_004_01383.xml|Preludes and Fugues - Fuge in D-Dur (Frühfassung) ]] |+|BWV 532a |COM |COM |1710 |D-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV532a_COM_COM_Preludesan_004_01383.xml|Preludes and Fugues - Fuge in D-Dur (Frühfassung) ]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV532a_COM_COM_Preludesan_004_01383.sv|Download]] |
  
  
  
  
-==== Mozart, Wolfgang Amadeus (1756-1791) ====+ 
 +==== Haydn, Franz Joseph (1732-1809)====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|K.171 |COM |1-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_1-4_StringQuar_003_00867.xml|String Quartet No. 11 in E-flat major - Adagio, Mvmt. 1]] | +|Hob.I:99 |COM |1-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_1-4_LondonSymp_003_00776.xml|London Symphonies - Symphony No. 99, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_1-4_LondonSymp_003_00776.sv|Download]] | 
-|K.171 |COM |2-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_2-4_StringQuar_003_00868.xml|String Quartet No. 11 in E-flat major - Menuetto, Mvmt. 2]] | +|Hob.I:99 |COM |2-4 |1793 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_2-4_LondonSymp_003_00777.xml|London Symphonies - Symphony No. 99, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_2-4_LondonSymp_003_00777.sv|Download]] | 
-|K.171 |COM |3-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_3-4_StringQuar_003_00869.xml|String Quartet No. 11 in E-flat major - Andante, Mvmt. 3]] | +|Hob.I:99 |COM |3-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_3-4_LondonSymp_003_00778.xml|London Symphonies - Symphony No. 99, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_3-4_LondonSymp_003_00778.sv|Download]] | 
-|K.171 |COM |4-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_4-4_StringQuar_003_00870.xml|String Quartet No. 11 in E-flat major - Allegro assai, Mvmt. 4]] | +|Hob.I:99 |COM |4-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_4-4_LondonSymp_003_00779.xml|London Symphonies - Symphony No. 99, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_4-4_LondonSymp_003_00779.sv|Download]] | 
-|K.310 |COM |1-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_1-3_PianoSonat_003_00953.xml|Piano Sonata No. 8 in A minor - Allegro maestoso, Mvmt. 1]] | +|Hob.III:35 |COM |1-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_1-4_StringQuar_003_00630.xml|String Quartet in F minor - Moderato, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_1-4_StringQuar_003_00630.sv|Download]] | 
-|K.310 |COM |2-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_2-3_PianoSonat_003_00954.xml|Piano Sonata No. 8 in A minor - Andante cantabile con espressione., Mvmt. 2]] | +|Hob.III:35 |COM |2-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_2-4_StringQuar_003_00631.xml|String Quartet in F minor - Menuetto, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_2-4_StringQuar_003_00631.sv|Download]] | 
-|K.310 |COM |3-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_3-3_PianoSonat_003_00955.xml|Piano Sonata No. 8 in A minor - Presto., Mvmt. 3]] | +|Hob.III:35 |COM |3-4 |1772 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_3-4_StringQuar_003_00632.xml|String Quartet in F minor - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_3-4_StringQuar_003_00632.sv|Download]] | 
-|K.551 |COM |COM |1788 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/MoWo_K551_COM_COM_SymphonyNo_001_00362.xml|Symphony No. 41 in C major ('Jupyter')]] |+|Hob.III:35 |COM |4-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_4-4_StringQuar_003_00633.xml|String Quartet in F minor - Fuga a due soggetti, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_4-4_StringQuar_003_00633.sv|Download]] | 
 +|Hob.XVI:12 |COM |1-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_1-3_SonataNo12_003_00800.xml|Sonata No. 12 in A major - Andante., Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobXVI12_COM_1-3_SonataNo12_003_00800.sv|Download]] | 
 +|Hob.XVI:12 |COM |2-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_2-3_SonataNo12_003_00801.xml|Sonata No. 12 in A major - TRIO.\nminore., Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobXVI12_COM_2-3_SonataNo12_003_00801.sv|Download]] | 
 +|Hob.XVI:12 |COM |3-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_3-3_SonataNo12_003_00802.xml|Sonata No. 12 in A major - Finale.: Allegretto., Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobXVI12_COM_3-3_SonataNo12_003_00802.sv|Download]] |
  
  
- +==== Mozart, Wolfgang Amadeus (1756-1791) ====
- +
-==== Haydn, Franz Joseph (1732-1809)====+
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Hob.I:99 |COM |1-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_1-4_LondonSymp_003_00776.xml|London Symphonies - Symphony No. 99, Mvmt. 1]] | +|K.171 |COM |1-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_1-4_StringQuar_003_00867.xml|String Quartet No. 11 in E-flat major - Adagio, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_1-4_StringQuar_003_00867.sv|Download]] | 
-|Hob.I:99 |COM |2-4 |1793 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_2-4_LondonSymp_003_00777.xml|London Symphonies - Symphony No. 99, Mvmt. 2]] | +|K.171 |COM |2-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_2-4_StringQuar_003_00868.xml|String Quartet No. 11 in E-flat major - Menuetto, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_2-4_StringQuar_003_00868.sv|Download]] | 
-|Hob.I:99 |COM |3-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_3-4_LondonSymp_003_00778.xml|London Symphonies - Symphony No. 99, Mvmt. 3]] | +|K.171 |COM |3-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_3-4_StringQuar_003_00869.xml|String Quartet No. 11 in E-flat major - Andante, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_3-4_StringQuar_003_00869.sv|Download]] | 
-|Hob.I:99 |COM |4-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_4-4_LondonSymp_003_00779.xml|London Symphonies - Symphony No. 99, Mvmt. 4]] | +|K.171 |COM |4-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_4-4_StringQuar_003_00870.xml|String Quartet No. 11 in E-flat major - Allegro assai, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_4-4_StringQuar_003_00870.sv|Download]] | 
-|Hob.III:35 |COM |1-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_1-4_StringQuar_003_00630.xml|String Quartet in F minor - Moderato, Mvmt. 1]] | +|K.310 |COM |1-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_1-3_PianoSonat_003_00953.xml|Piano Sonata No. 8 in A minor - Allegro maestoso, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K310_COM_1-3_PianoSonat_003_00953.sv|Download]] | 
-|Hob.III:35 |COM |2-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_2-4_StringQuar_003_00631.xml|String Quartet in F minor - Menuetto, Mvmt. 2]] | +|K.310 |COM |2-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_2-3_PianoSonat_003_00954.xml|Piano Sonata No. 8 in A minor - Andante cantabile con espressione., Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K310_COM_2-3_PianoSonat_003_00954.sv|Download]] | 
-|Hob.III:35 |COM |3-4 |1772 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_3-4_StringQuar_003_00632.xml|String Quartet in F minor - Adagio, Mvmt. 3]] | +|K.310 |COM |3-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_3-3_PianoSonat_003_00955.xml|Piano Sonata No. 8 in A minor - Presto., Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K310_COM_3-3_PianoSonat_003_00955.sv|Download]] | 
-|Hob.III:35 |COM |4-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_4-4_StringQuar_003_00633.xml|String Quartet in F minor - Fuga a due soggetti, Mvmt. 4]] | +|K.551 |COM |COM |1788 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/MoWo_K551_COM_COM_SymphonyNo_001_00362.xml|Symphony No. 41 in C major ('Jupyter')]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K551_COM_COM_SymphonyNo_001_00362.sv|Download]] |
-|Hob.XVI:12 |COM |1-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_1-3_SonataNo12_003_00800.xml|Sonata No. 12 in A major - Andante., Mvmt. 1]] | +
-|Hob.XVI:12 |COM |2-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_2-3_SonataNo12_003_00801.xml|Sonata No. 12 in A major - TRIO.\nminore., Mvmt. 2]] | +
-|Hob.XVI:12 |COM |3-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_3-3_SonataNo12_003_00802.xml|Sonata No. 12 in A major - Finale.: Allegretto., Mvmt. 3]] |+
  
  
Zeile 131: Zeile 133:
 ==== Beethoven, Ludwig van (1770-1827) ==== ==== Beethoven, Ludwig van (1770-1827) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.10 |1-3 |1-3 |1795-97 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_1-3_PianoSonat_003_00019.xml|Piano Sonata No. 5 in C minor - Allegro molto e con brio, Mvmt. 1]] | +|Op.10 |1-3 |1-3 |1795-97 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_1-3_PianoSonat_003_00019.xml|Piano Sonata No. 5 in C minor - Allegro molto e con brio, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op10_1-3_1-3_PianoSonat_003_00019.sv|Download]] | 
-|Op.10 |1-3 |2-3 |1795-97 |As-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_2-3_PianoSonat_003_00020.xml|Piano Sonata No. 5 in C minor - Adagio molto, Mvmt. 2]] | +|Op.10 |1-3 |2-3 |1795-97 |As-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_2-3_PianoSonat_003_00020.xml|Piano Sonata No. 5 in C minor - Adagio molto, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op10_1-3_2-3_PianoSonat_003_00020.sv|Download]] | 
-|Op.10 |1-3 |3-3 |1795-97 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_3-3_PianoSonat_003_00021.xml|Piano Sonata No. 5 in C minor - Finale: Prestissimo, Mvmt. 3]] | +|Op.10 |1-3 |3-3 |1795-97 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_3-3_PianoSonat_003_00021.xml|Piano Sonata No. 5 in C minor - Finale: Prestissimo, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op10_1-3_3-3_PianoSonat_003_00021.sv|Download]] | 
-|Op.18 |1-6 |1-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_1-4_StringQuar_003_00104.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Allegro con brio, Mvmt. 1]] | +|Op.18 |1-6 |1-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_1-4_StringQuar_003_00104.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Allegro con brio, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_1-4_StringQuar_003_00104.sv|Download]] | 
-|Op.18 |1-6 |2-4 |1799 |D-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_2-4_StringQuar_003_00105.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Adagio affettuoso ed appassionato, Mvmt. 2]] | +|Op.18 |1-6 |2-4 |1799 |D-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_2-4_StringQuar_003_00105.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Adagio affettuoso ed appassionato, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_2-4_StringQuar_003_00105.sv|Download]] | 
-|Op.18 |1-6 |3-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_3-4_StringQuar_003_00106.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Scherzo: Allegro molto, Mvmt. 3]] | +|Op.18 |1-6 |3-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_3-4_StringQuar_003_00106.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Scherzo: Allegro molto, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_3-4_StringQuar_003_00106.sv|Download]] | 
-|Op.18 |1-6 |4-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_4-4_StringQuar_003_00107.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Allegro, Mvmt. 4]] |+|Op.18 |1-6 |4-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_4-4_StringQuar_003_00107.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_4-4_StringQuar_003_00107.sv|Download]] |
  
 + 
  
  
 ==== Schubert, Franz (1797-1828) ==== ==== Schubert, Franz (1797-1828) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|D.87 |COM |1-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_1-4_StringQuar_003_01007.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro piu moderato, Mvmt. 1]] | +|D.87 |COM |1-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_1-4_StringQuar_003_01007.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro piu moderato, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_1-4_StringQuar_003_01007.sv|Download]] | 
-|D.87 |COM |2-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_2-4_StringQuar_003_01008.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Scherzo (Prestissimo) - Trio, Mvmt. 2]] | +|D.87 |COM |2-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_2-4_StringQuar_003_01008.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Scherzo (Prestissimo) - Trio, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_2-4_StringQuar_003_01008.sv|Download]] | 
-|D.87 |COM |3-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_3-4_StringQuar_003_01009.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Adagio, Mvmt. 3]] | +|D.87 |COM |3-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_3-4_StringQuar_003_01009.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_3-4_StringQuar_003_01009.sv|Download]] | 
-|D.87 |COM |4-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_4-4_StringQuar_003_01010.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro, Mvmt. 4]] |+|D.87 |COM |4-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_4-4_StringQuar_003_01010.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_4-4_StringQuar_003_01010.sv|Download]] |
  
  
 ==== Chopin, Fryderyk Franciszek (1810-1849) ==== ==== Chopin, Fryderyk Franciszek (1810-1849) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.4 |COM |2-4 |1828 |Es |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op4_COM_2-4_PianoSonat_001_00108.xml|Piano Sonata No. 1 in C minor - Minuetto. Allegretto - Trio]] | +|Op.4 |COM |2-4 |1828 |Es |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op4_COM_2-4_PianoSonat_001_00108.xml|Piano Sonata No. 1 in C minor - Minuetto. Allegretto - Trio]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op4_COM_2-4_PianoSonat_001_00108.sv|Download]] | 
-|Op.4 |COM |4-4 |1828 |C-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op4_COM_4-4_PianoSonat_001_00110.xml|Piano Sonata No. 1 in C minor - Finale. Presto]] | +|Op.4 |COM |4-4 |1828 |C-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op4_COM_4-4_PianoSonat_001_00110.xml|Piano Sonata No. 1 in C minor - Finale. Presto]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op4_COM_4-4_PianoSonat_001_00110.sv|Download]] | 
-|Op.10 |1-12 |COM |1833 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_1-12_COM_EtudeinCma_001_00114.xml|Etude in C major ('Waterfall')]] | +|Op.10 |1-12 |COM |1833 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_1-12_COM_EtudeinCma_001_00114.xml|Etude in C major ('Waterfall')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_1-12_COM_EtudeinCma_001_00114.sv|Download]] | 
-|Op.10 |2-12 |COM |1833 |A-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_2-12_COM_EtudeinAmi_001_00115.xml|Etude in A minor ('Chromatique')]] | +|Op.10 |2-12 |COM |1833 |A-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_2-12_COM_EtudeinAmi_001_00115.xml|Etude in A minor ('Chromatique')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_2-12_COM_EtudeinAmi_001_00115.sv|Download]] | 
-|Op.10 |3-12 |COM |1833 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_3-12_COM_EtudeinEma_001_00116.xml|Etude in E major ('Tristesse')]] | +|Op.10 |3-12 |COM |1833 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_3-12_COM_EtudeinEma_001_00116.xml|Etude in E major ('Tristesse')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_3-12_COM_EtudeinEma_001_00116.sv|Download]] | 
-|Op.10 |4-12 |COM |1833 |Cis-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_4-12_COM_EtudeinC-S_001_00117.xml|Etude in C-Sharp minor ('Torrent')]] | +|Op.10 |4-12 |COM |1833 |Cis-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_4-12_COM_EtudeinC-S_001_00117.xml|Etude in C-Sharp minor ('Torrent')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_4-12_COM_EtudeinC-S_001_00117.sv|Download]] | 
-|Op.10 |5-12 |COM |1833 |Ges-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_5-12_COM_EtudeinG-F_001_00118.xml|Etude in G-Flat major ('Black Keys')]] | +|Op.10 |5-12 |COM |1833 |Ges-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_5-12_COM_EtudeinG-F_001_00118.xml|Etude in G-Flat major ('Black Keys')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_5-12_COM_EtudeinG-F_001_00118.sv|Download]] | 
-|Op.10 |6-12 |COM |1833 |Es-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_6-12_COM_EtudeinE-F_001_00119.xml|Etude in E-Flat minor ('Lament')]] | +|Op.10 |6-12 |COM |1833 |Es-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_6-12_COM_EtudeinE-F_001_00119.xml|Etude in E-Flat minor ('Lament')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_6-12_COM_EtudeinE-F_001_00119.sv|Download]] | 
-|Op.10 |7-12 |COM |1833 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_7-12_COM_EtudeinCma_001_00120.xml|Etude in C major ('Toccata')]] | +|Op.10 |7-12 |COM |1833 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_7-12_COM_EtudeinCma_001_00120.xml|Etude in C major ('Toccata')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_7-12_COM_EtudeinCma_001_00120.sv|Download]] | 
-|Op.10 |9-12 |COM |1833 |F-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_9-12_COM_EtudeinFmi_001_00122.xml|Etude in F minor]] | +|Op.10 |9-12 |COM |1833 |F-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_9-12_COM_EtudeinFmi_001_00122.xml|Etude in F minor]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_9-12_COM_EtudeinFmi_001_00122.sv|Download]] | 
-|Op.10 |10-12 |COM |1833 |As-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_10-12_COM_EtudeinA-F_001_00123.xml|Etude in A-Flat major]] | +|Op.10 |10-12 |COM |1833 |As-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_10-12_COM_EtudeinA-F_001_00123.xml|Etude in A-Flat major]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_10-12_COM_EtudeinA-F_001_00123.sv|Download]] | 
-|Op.10 |11-12 |COM |1833 |Es-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_11-12_COM_EtudeinE-F_001_00124.xml|Etude in E-Flat major ('Arpeggio')]] |+|Op.10 |11-12 |COM |1833 |Es-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_11-12_COM_EtudeinE-F_001_00124.xml|Etude in E-Flat major ('Arpeggio')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_11-12_COM_EtudeinE-F_001_00124.sv|Download]] | 
  
  
Zeile 168: Zeile 172:
 ==== Liszt, Franz (1811-1886) ==== ==== Liszt, Franz (1811-1886) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|S.141 |4-6 |COM |1851 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_4-6_COM_Grandesetu_001_00328.xml|Grandes etudes de Paganini - Arpeggio]] | +|S.141 |4-6 |COM |1851 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_4-6_COM_Grandesetu_001_00328.xml|Grandes etudes de Paganini - Arpeggio]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S141_4-6_COM_Grandesetu_001_00328.sv|Download]] | 
-|S.141 |5-6 |COM |1851 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_5-6_COM_Grandesetu_001_00329.xml|Grandes etudes de Paganini - La chasse]] | +|S.141 |5-6 |COM |1851 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_5-6_COM_Grandesetu_001_00329.xml|Grandes etudes de Paganini - La chasse]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S141_5-6_COM_Grandesetu_001_00329.sv|Download]] | 
-|S.141 |6-6 |COM |1851 |A-Moll |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_6-6_COM_Grandesetu_001_00330.xml|Grandes etudes de Paganini - Themes et variations]] | +|S.141 |6-6 |COM |1851 |A-Moll |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_6-6_COM_Grandesetu_001_00330.xml|Grandes etudes de Paganini - Themes et variations]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S141_6-6_COM_Grandesetu_001_00330.sv|Download]] | 
-|S.171 |COM |COM |1853 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/LiFra_S171_COM_COM_BalladeNo2_003_00822.xml|Ballade No. 2 in B minor, S. 171, Mvmt. C]] |+|S.171 |COM |COM |1853 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/LiFra_S171_COM_COM_BalladeNo2_003_00822.xml|Ballade No. 2 in B minor, S. 171, Mvmt. C]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S171_COM_COM_BalladeNo2_003_00822.sv|Download]] | 
  
  
 ==== Bruckner, Anton (1824-1896) ==== ==== Bruckner, Anton (1824-1896) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|WAB 109 |COM |3-3 |1894 |D-Moll |[[https://analyse.hfm-weimar.de/database/01/BrAn_WAB109_COM_3-3_SymphonyNo_001_00063.xml|Symphony No.9 in D minor - Adagio. Langsam, feierlich]] |+|WAB 109 |COM |3-3 |1894 |D-Moll |[[https://analyse.hfm-weimar.de/database/01/BrAn_WAB109_COM_3-3_SymphonyNo_001_00063.xml|Symphony No.9 in D minor - Adagio. Langsam, feierlich]] | [[https://analyse.hfm-weimar.de/database/sv/BrAn_WAB109_COM_3-3_SymphonyNo_001_00063.sv|Download]] |
  
 + 
  
 ==== Brahms, Johannes (1833-1897) ==== ==== Brahms, Johannes (1833-1897) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.1 |COM |2-4 |1852-53 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/BraJo_Op1_COM_1-4_PianoSonat_003_00182.xml|Piano Sonata No. 1 in C major, Op. 1 - Andante, Mvmt. 2]] |+|Op.1 |COM |2-4 |1852-53 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/BraJo_Op1_COM_1-4_PianoSonat_003_00182.xml|Piano Sonata No. 1 in C major, Op. 1 - Andante, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BraJo_Op1_COM_1-4_PianoSonat_003_00182.sv|Download]] |
  
  
 ==== Dvorak, Antonin (1841-1904) ==== ==== Dvorak, Antonin (1841-1904) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.95 |COM |4-4 |1896 |E-Moll |[[https://analyse.hfm-weimar.de/database/01/DvoAn_Op95_COM_4-4_SymphonyNo_001_00270.xml|Symphony No. 9 in E minor - Allegro con fuoco]] |+|Op.95 |COM |4-4 |1896 |E-Moll |[[https://analyse.hfm-weimar.de/database/01/DvoAn_Op95_COM_4-4_SymphonyNo_001_00270.xml|Symphony No. 9 in E minor - Allegro con fuoco]] | [[https://analyse.hfm-weimar.de/database/sv/DvoAn_Op95_COM_4-4_SymphonyNo_001_00270.sv|Download]] | 
  
  
 ==== Debussy, Claude (1862-1918) ==== ==== Debussy, Claude (1862-1918) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|CD 97 |1-3 |COM |1899 | |[[https://analyse.hfm-weimar.de/database/01/DeCl_CD97_1-3_COM_LaFlutedep_001_00230.xml|La Flute de pan]] |+|CD 97 |1-3 |COM |1899 | |[[https://analyse.hfm-weimar.de/database/01/DeCl_CD97_1-3_COM_LaFlutedep_001_00230.xml|La Flute de pan]] | [[https://analyse.hfm-weimar.de/database/sv/DeCl_CD97_1-3_COM_LaFlutedep_001_00230.sv|Download]] | 
  
  
 ==== Skrjabin, Aleksandr Nikolaevič (1871-1915) ==== ==== Skrjabin, Aleksandr Nikolaevič (1871-1915) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.8 |COM |1-12 |1894 |Cis-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_1-12_12EtudesOp_003_01057.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 1 - Allegro]] | +|Op.8 |COM |1-12 |1894 |Cis-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_1-12_12EtudesOp_003_01057.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 1 - Allegro]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_1-12_12EtudesOp_003_01057.sv|Download]] | 
-|Op.8 |COM |2-12 |1894 |Fis-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_2-12_12EtudesOp_003_01058.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 2 - A capriccio, con forza]] | +|Op.8 |COM |2-12 |1894 |Fis-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_2-12_12EtudesOp_003_01058.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 2 - A capriccio, con forza]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_2-12_12EtudesOp_003_01058.sv|Download]] | 
-|Op.8 |COM |3-12 |1894 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_3-12_12EtudesOp_003_01059.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 3 - Tempestoso]] | +|Op.8 |COM |3-12 |1894 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_3-12_12EtudesOp_003_01059.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 3 - Tempestoso]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_3-12_12EtudesOp_003_01059.sv|Download]] | 
-|Op.8 |COM |4-12 |1894 |H-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_4-12_12EtudesOp_003_01060.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 4 - Piacevole]] | +|Op.8 |COM |4-12 |1894 |H-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_4-12_12EtudesOp_003_01060.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 4 - Piacevole]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_4-12_12EtudesOp_003_01060.sv|Download]] | 
-|Op.8 |COM |5-12 |1894 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_5-12_12EtudesOp_003_01061.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 5 - Brioso]] | +|Op.8 |COM |5-12 |1894 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_5-12_12EtudesOp_003_01061.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 5 - Brioso]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_5-12_12EtudesOp_003_01061.sv|Download]] | 
-|Op.8 |COM |6-12 |1894 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_6-12_12EtudesOp_003_01062.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 6 - Con grazia]] | +|Op.8 |COM |6-12 |1894 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_6-12_12EtudesOp_003_01062.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 6 - Con grazia]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_6-12_12EtudesOp_003_01062.sv|Download]] | 
-|Op.8 |COM |9-12 |1894 |Gis-Moll |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_9-12_12EtudesOp_003_01063.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 9 - Alla ballata]] |+|Op.8 |COM |9-12 |1894 |Gis-Moll |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_9-12_12EtudesOp_003_01063.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 9 - Alla ballata]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_9-12_12EtudesOp_003_01063.sv|Download]] |
  
  
 ==== Bartók, Béla (1881-1945) ==== ==== Bartók, Béla (1881-1945) ====
 ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^ ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
-|Op.6 |1-14 |COM |1908 | |[[https://analyse.hfm-weimar.de/database/01/BaBe_Op6_1-14_COM_14Bagatell_001_00022.xml|14 Bagatelles for Piano - Molto Sostenuto]] | +|Op.6 |1-14 |COM |1908 | |[[https://analyse.hfm-weimar.de/database/01/BaBe_Op6_1-14_COM_14Bagatell_001_00022.xml|14 Bagatelles for Piano - Molto Sostenuto]] | [[https://analyse.hfm-weimar.de/database/sv/BaBe_Op6_1-14_COM_14Bagatell_001_00022.sv|Download]] | 
-|Op.6 |2-14 |COM |1908 | |[[https://analyse.hfm-weimar.de/database/01/BaBe_Op6_2-14_COM_14Bagatell_001_00023.xml|14 Bagatelles for Piano - Allegro giocoso]] |+|Op.6 |2-14 |COM |1908 | |[[https://analyse.hfm-weimar.de/database/01/BaBe_Op6_2-14_COM_14Bagatell_001_00023.xml|14 Bagatelles for Piano - Allegro giocoso]] | [[https://analyse.hfm-weimar.de/database/sv/BaBe_Op6_2-14_COM_14Bagatell_001_00023.sv|Download]] |
  • notenauswahl.1636532028.txt.gz
  • Zuletzt geändert: 2021/11/10 08:13
  • von andres_romero