===== Schubert, Franz (1797-1828) ===== ^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^ |D.4 |COM |COM |1886 |D-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D4_COM_COM_Ouverturet_003_00991.xml|Ouverture to Der Teufel als Hydraulicus - Allegro]] | |D.87 |COM |1-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_1-4_StringQuar_003_01007.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro piu moderato, Mvmt. 1]] | |D.87 |COM |2-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_2-4_StringQuar_003_01008.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Scherzo (Prestissimo) - Trio, Mvmt. 2]] | |D.87 |COM |3-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_3-4_StringQuar_003_01009.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Adagio, Mvmt. 3]] | |D.87 |COM |4-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_4-4_StringQuar_003_01010.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro, Mvmt. 4]] | |D.121 |COM |COM |1814 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D121_COM_COM_SchaefersK_003_01041.xml|Schaefers Klagelied]] | |D.215a |COM |COM |1815 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D215a_COM_COM_MeeresStil_003_01044.xml|Meeres Stille]] | |D.226 |COM |COM |1815 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D226_COM_COM_ErsterVerl_003_01045.xml|Erster Verlust]] | |D.257 |COM |COM |1815 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D257_COM_COM_Heidenroes_003_01037.xml|Heidenroeslein]] | |D.280 |COM |COM |1815 |As-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D280_COM_COM_DasRosenba_003_01012.xml|Das Rosenband]] | |D.342 |COM |COM |1816 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D342_COM_COM_AnmeinKlav_003_01040.xml|An mein Klavier]] | |D.343 |COM |COM |1816 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D343_COM_COM_Litaneiauf_003_01043.xml|Litanei auf das Fest Aller Seelen]] | |D.369 |COM |COM |1816 |D-Moll/D-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D369_COM_COM_AnSchwager_003_01032.xml|An Schwager Kronos]] | |D.497 |COM |COM |1816 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D497_COM_COM_AndieNacht_003_01034.xml|An die Nachtigall]] | |D.531 |COM |COM |1817 |D-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D531_COM_COM_DerTodundd_003_01031.xml|Der Tod und das Maedchen]] | |D.547 |COM |COM |1817 |D-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D547_COM_COM_AndieMusik_003_01042.xml|An die Musik]] | |D.550 |COM |COM |1816-17 |Des-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D550_COM_COM_DieForelle_003_01038.xml|Die Forelle]] | |D.576 |COM |1-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_1-14_13Variatio_003_00992.xml|13 Variations on a Theme of A. Hüttenbrenner - Thema]] | |D.576 |COM |2-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_2-14_13Variatio_003_00993.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 1]] | |D.576 |COM |3-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_3-14_13Variatio_003_00994.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 2]] | |D.576 |COM |4-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_4-14_13Variatio_003_00995.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 3]] | |D.576 |COM |5-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_5-14_13Variatio_003_00996.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 4]] | |D.576 |COM |6-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_6-14_13Variatio_003_00997.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 5]] | |D.576 |COM |7-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_7-14_13Variatio_003_00998.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 6]] | |D.576 |COM |8-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_8-14_13Variatio_003_00999.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 7]] | |D.576 |COM |9-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_9-14_13Variatio_003_01000.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 8]] | |D.576 |COM |10-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_10-14_13Variatio_003_01001.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 9]] | |D.576 |COM |11-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_11-14_13Variatio_003_01002.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 10]] | |D.576 |COM |12-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_12-14_13Variatio_003_01003.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 11]] | |D.576 |COM |13-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_13-14_13Variatio_003_01004.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 12]] | |D.576 |COM |14-14 | |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D576_COM_14-14_13Variatio_003_01005.xml|13 Variations on a Theme of A. Hüttenbrenner - Var. 13]] | |D.752 |COM |COM |1822 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D752_COM_COM_Nachtviole_003_01027.xml|Nachtviolen]] | |D.764 |COM |COM |1822 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D764_COM_COM_DerMusenso_003_01029.xml|Der Musensohn]] | |D.768 |COM |COM |1824 |B-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D768_COM_COM_WanderersN_003_01033.xml|Wanderers Nachtlied]] | |D.776 |COM |COM |1823 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D776_COM_COM_DubistdieR_003_01011.xml|Du bist die Ruh]] | |D.777 |COM |COM |1823 |As-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D777_COM_COM_LachenundW_003_01036.xml|Lachen und Weinen]] | |D.795 |1-20 |COM |1823 |B-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D795_1-20_COM_Dieschoene_003_01028.xml|Die schöne Müllerin - Das Wandern]] | |D.795 |6-20 |COM |1823 |H-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D795_6-20_COM_Dieschoene_003_01013.xml|Die schöne Müllerin - Der Neugierige]] | |D.795 |7-20 |COM |1823 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D795_7-20_COM_Dieschoene_003_01014.xml|Die schöne Müllerin - Ungeduld]] | |D.801 |COM |COM |1826 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D801_COM_COM_Dithyrambe_003_01030.xml|Dithyrambe]] | |D.827 |COM |COM |1823 |H-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D827_COM_COM_NachtundTr_003_01035.xml|Nacht und Traeume]] | |D.870 |COM |COM |1826 |G-Moll/G-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D870_COM_COM_DerWandere_003_01020.xml|Der Wanderer an den Mond]] | |D.877 |4-4 |COM |1826 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D877_4-4_COM_Gesaengeau_003_01039.xml|Gesänge aus "Wilhelm Meister" - Lied der Mignon]] | |D.889 |COM |COM |1826 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D889_COM_COM_Horchhorch_003_01018.xml|Horch, horch, die Lerch]] | |D.891 |COM |COM |1826 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D891_COM_COM_AnSylvia_003_01019.xml|An Sylvia]] | |D.899 |COM |3-4 |1857 |Ges-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D899_COM_3-4_Impromptui_003_01006.xml|Impromptu in G-flat major, Op. 90, No. 3, Mvmt. 3]] | |D.905 |COM |COM |1827 |D-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D905_COM_COM_AndieLaute_003_01017.xml|An die Laute]] | |D.911 |13-24 |COM |1827 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D911_13-24_COM_Winterreis_003_01024.xml|Winterreise - Die Post]] | |D.911 |15-24 |COM |1827 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D911_15-24_COM_Winterreis_003_01023.xml|Winterreise - Die Kraehe]] | |D.911 |22-24 |COM |1827 |G-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D911_22-24_COM_Winterreis_003_01025.xml|Winterreise - Mut!]] | |D.915 |COM |COM |1828 |C-Moll |[[https://analyse.hfm-weimar.de/database/01/ScFr_D915_COM_COM_Allegretto_001_00367.xml|Allegretto in C minor]] | |D.945 |COM |COM |1828 |E-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D945_COM_COM_Herbst_003_01026.xml|Herbst]] | |D.957 |4-14 |COM |1828 |D-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D957_4-14_COM_Liedernach_003_01016.xml|Lieder nach Gedichten von Rellstab und Heine ('Schwanengesang') - Staendchen]] | |D.957 |5-14 |COM |1828 |E-Moll |[[https://analyse.hfm-weimar.de/database/03/ScFr_D957_5-14_COM_Liedernach_003_01022.xml|Lieder nach Gedichten von Rellstab und Heine ('Schwanengesang') - Aufenthalt]] | |D.957 |10-14 |COM |1828 |As-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D957_10-14_COM_Liedernach_003_01015.xml|Lieder nach Gedichten von Rellstab und Heine ('Schwanengesang') - Das Fischermaedchen]] | |D.957 |12-14 |COM |1828 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D957_12-14_COM_Liedernach_003_01021.xml|Lieder nach Gedichten von Rellstab und Heine ('Schwanengesang') - Am Meer]] |