en:tutorium_spektral

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en:tutorium_spektral [2021/09/30 08:54]
andres_romero 		en:tutorium_spektral [2021/09/30 08:54]
andres_romero [Deepening]
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 An interesting approach to analyzing the sonic aspects of pop music productions using spectrograms is formulated by Simon Zagorski-Thomas. His thesis is that in many pop recordings the peculiarities of a performance by musicians and singers are exaggerated or artificially designed with various studio-technical means (e.g. equalizer, reverb, panorama, delay) - Zagorski-Thomas speaks of //Sonic Cartoons//. On the other hand, especially in electronic music, many unusual and 'unnatural' or synthetically produced or processed sounds are used in such a way that they have similarities to the natural sound environment or even conventional musical instruments (e.g. the sound arrangement of a drum set). An interesting approach to analyzing the sonic aspects of pop music productions using spectrograms is formulated by Simon Zagorski-Thomas. His thesis is that in many pop recordings the peculiarities of a performance by musicians and singers are exaggerated or artificially designed with various studio-technical means (e.g. equalizer, reverb, panorama, delay) - Zagorski-Thomas speaks of //Sonic Cartoons//. On the other hand, especially in electronic music, many unusual and 'unnatural' or synthetically produced or processed sounds are used in such a way that they have similarities to the natural sound environment or even conventional musical instruments (e.g. the sound arrangement of a drum set).
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 Simon Zagorski-Thomas: „The Sprectromorphology of Recorded Popular Music. The Shaping of Sonic Cartoons through Record Production“, in it: //The Relentless Pursuit of Tone. Timbre in Popular Music//, by Robert Fink, Melinda Latour and Zachary Wallmark, New York 2018, pp. 345-366. Simon Zagorski-Thomas: „The Sprectromorphology of Recorded Popular Music. The Shaping of Sonic Cartoons through Record Production“, in it: //The Relentless Pursuit of Tone. Timbre in Popular Music//, by Robert Fink, Melinda Latour and Zachary Wallmark, New York 2018, pp. 345-366.
  
  • en/tutorium_spektral.txt
  • Zuletzt geändert: 2023/05/23 14:06
  • von martin