Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
Beide Seiten der vorigen Revision
Vorhergehende Überarbeitung
Nächste Überarbeitung
|
Vorhergehende Überarbeitung
|
en:tutorium_spektral [2021/09/30 08:54] andres_romero [Deepening] |
en:tutorium_spektral [2023/05/23 14:06] martin |
| |
[[https://analyse.hfm-weimar.de/lib/exe/fetch.php?media=aphex_twin_bucephalus_bouncing_ball_selection.mp3|Audio01]]\ | [[https://analyse.hfm-weimar.de/lib/exe/fetch.php?media=aphex_twin_bucephalus_bouncing_ball_selection.mp3|Audio01]]\ |
This is an excerpt from the track "Bucephalus Bouncing Ball" by [[https://https://en.wikipedia.org/wiki/Aphex_Twin|Aphex Twin]], a pseudonym of Irish-British electronica artist Richard David James. | This is an excerpt from the track "Bucephalus Bouncing Ball" by [[https://en.wikipedia.org/wiki/Aphex_Twin|Aphex Twin]], a pseudonym of Irish-British electronica artist Richard David James. |
| |
{{ :audio01_screenshot01.png?400 |[Sreenshot01]}} | {{ :audio01_screenshot01.png?400 |[Sreenshot01]}} |
Simon Zagorski-Thomas: „The Sprectromorphology of Recorded Popular Music. The Shaping of Sonic Cartoons through Record Production“, in it: //The Relentless Pursuit of Tone. Timbre in Popular Music//, by Robert Fink, Melinda Latour and Zachary Wallmark, New York 2018, pp. 345-366. | Simon Zagorski-Thomas: „The Sprectromorphology of Recorded Popular Music. The Shaping of Sonic Cartoons through Record Production“, in it: //The Relentless Pursuit of Tone. Timbre in Popular Music//, by Robert Fink, Melinda Latour and Zachary Wallmark, New York 2018, pp. 345-366. |
| |
| {{ :en:tutorial_audio_basics_spectral_sample_solution.pdf |}} |