notenauswahl [Computergestützte Musikanalyse]

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===== Subkorpus der Notendatenbank =====

Dieser Subkorpus der Notendatenbank entspricht einem (subjekt geprägten) chronologischen Gang durch die europäische Musikgeschichte anhand verschiedener Komponisten und Kompositionen (s. Inhaltsverzeichnis rechts). Dabei wurden vier verschiedene Gattungen berücksichtigt: Vokalsatz, Piano solo, Streichquartett und Sinfonie. 

Alle MusicXML-Dateien wurden auf ihre Qualität und auf mögliche Fehler geprüft. In dieser Auswahl sind alle Noten enthalten, die in den Modulen zur Notenanalyse und den entsprechenden Aufgaben verwendet werden.

In der letzten Spalte der Tabellen finden Sie zusätzlich den Download-Link zu einer Datei im sv-Format, die im [[https://analyse.hfm-weimar.de/doku.php?id=installation#sonic_visualiser|Sonic Visualiser]] als Pianorolle dargestellt und zugleich mit MIDI-Klängen abgespielt werden kann. Eine detaillierte Anweisung, wie Sie dabei vorgehen müssen, finden Sie [[sv-pianoroll|hier]]. 
==== Dufay, Guillaume (1397-1474) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Duf1004 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/DuGui_Duf1004_COM_1-5_MissaLhomm_002_00956.xml|Missa L'homme arme - Kyrie]] | [[https://analyse.hfm-weimar.de/database/sv/DuGui_Duf1004_COM_1-5_MissaLhomm_002_00956.sv|Download]] |
|Duf1004 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/DuGui_Duf1004_COM_2-5_MissaLhomm_002_00957.xml|Missa L'homme arme - Gloria]] |[[https://analyse.hfm-weimar.de/database/sv/DuGui_Duf1004_COM_2-5_MissaLhomm_002_00957.sv|Download]] |
|Duf1004 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/DuGui_Duf1004_COM_3-5_MissaLhomm_002_00958.xml|Missa L'homme arme - Credo]] | [[https://analyse.hfm-weimar.de/database/sv/DuGui_Duf1004_COM_3-5_MissaLhomm_002_00958.sv|Download]] |
|Duf1004 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/DuGui_Duf1004_COM_4-5_MissaLhomm_002_00959.xml|Missa L'homme arme - Sanctus]] | [[https://analyse.hfm-weimar.de/database/sv/DuGui_Duf1004_COM_4-5_MissaLhomm_002_00959.sv|Download]] |
|Duf1004 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/DuGui_Duf1004_COM_5-5_MissaLhomm_002_00960.xml|Missa L'homme arme - Agnus Dei]] | [[https://analyse.hfm-weimar.de/database/sv/DuGui_Duf1004_COM_5-5_MissaLhomm_002_00960.sv|Download]] |



==== Ockeghem, Johannes (1420/1425-1497) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Ock1008 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/OcJo_Ock1008_COM_1-5_MissaLhomm_002_00481.xml|Missa L'homme arme - Kyrie]] | [[https://analyse.hfm-weimar.de/database/sv/OcJo_Ock1008_COM_1-5_MissaLhomm_002_00481.sv|Download]] |
|Ock1008 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/OcJo_Ock1008_COM_2-5_MissaLhomm_002_00482.xml|Missa L'homme arme - Gloria]] | [[https://analyse.hfm-weimar.de/database/sv/OcJo_Ock1008_COM_2-5_MissaLhomm_002_00482.sv|Download]] |
|Ock1008 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/OcJo_Ock1008_COM_3-5_MissaLhomm_002_00483.xml|Missa L'homme arme - Credo]] | [[https://analyse.hfm-weimar.de/database/sv/OcJo_Ock1008_COM_3-5_MissaLhomm_002_00483.sv|Download]] |
|Ock1008 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/OcJo_Ock1008_COM_4-5_MissaLhomm_002_00484.xml|Missa L'homme arme - Sanctus]] | [[https://analyse.hfm-weimar.de/database/sv/OcJo_Ock1008_COM_4-5_MissaLhomm_002_00484.sv|Download]] |
|Ock1008 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/OcJo_Ock1008_COM_5-5_MissaLhomm_002_00485.xml|Missa L'homme arme - Agnus Dei]] | [[https://analyse.hfm-weimar.de/database/sv/OcJo_Ock1008_COM_5-5_MissaLhomm_002_00485.sv|Download]] |



==== Josquin des Prez (1450/55-1521) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Jos0602 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_1-5_MissaLhomm_002_00066.xml|Missa L'homme arme sexti toni - Kyrie]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_1-5_MissaLhomm_002_00066.sv|Download]] |
|Jos0602 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_2-5_MissaLhomm_002_00067.xml|Missa L'homme arme sexti toni - Gloria]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_2-5_MissaLhomm_002_00067.sv|Download]] |
|Jos0602 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_3-5_MissaLhomm_002_00068.xml|Missa L'homme arme sexti toni - Credo]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_3-5_MissaLhomm_002_00068.sv|Download]] |
|Jos0602 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_4-5_MissaLhomm_002_00069.xml|Missa L'homme arme sexti toni - Sanctus]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_4-5_MissaLhomm_002_00069.sv|Download]] |
|Jos0602 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0602_COM_5-5_MissaLhomm_002_00070.xml|Missa L'homme arme sexti toni - Agnus Dei]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0602_COM_5-5_MissaLhomm_002_00070.sv|Download]] |
|Jos0603 |COM |1-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_1-5_MissaLhomm_002_00071.xml|Missa L'homme arme super voces musicales - Kyrie]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_1-5_MissaLhomm_002_00071.sv|Download]] |
|Jos0603 |COM |2-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_2-5_MissaLhomm_002_00072.xml|Missa L'homme arme super voces musicales - Gloria]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_2-5_MissaLhomm_002_00072.sv|Download]] |
|Jos0603 |COM |3-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_3-5_MissaLhomm_002_00073.xml|Missa L'homme arme super voces musicales - Credo]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_3-5_MissaLhomm_002_00073.sv|Download]] |
|Jos0603 |COM |4-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_4-5_MissaLhomm_002_00074.xml|Missa L'homme arme super voces musicales - Sanctus]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_4-5_MissaLhomm_002_00074.sv|Download]] |
|Jos0603 |COM |5-5 | | |[[https://analyse.hfm-weimar.de/database/02/PrJode_Jos0603_COM_5-5_MissaLhomm_002_00075.xml|Missa L'homme arme super voces musicales - Agnus Dei]] | [[https://analyse.hfm-weimar.de/database/sv/PrJode_Jos0603_COM_5-5_MissaLhomm_002_00075.sv|Download]] |



==== Monteverdi, Claudio (1567-1643) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|SV.94 |COM |COM |1605 | |[[https://analyse.hfm-weimar.de/database/03/MoCl_SV94_COM_COM_CrudaAmari_003_00827.xml|Cruda Amarilli che col nome ancora d’amar]] | [[https://analyse.hfm-weimar.de/database/sv/MoCl_SV94_COM_COM_CrudaAmari_003_00827.sv|Download]] |



==== Buxtehude, Dietrich (1637-1707) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.1 |2-7 |COM |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/01/BuDi_Op1_2-7_COM_TrioSonata_001_00066.xml|Trio Sonata in G major]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_COM_TrioSonata_001_00066.sv|Download]] |
|Op.1 |2-7 |1-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_1-6_SonatainGm_003_00199.xml|Sonata in G major, Op. 1, No. 2 - Lento, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_1-6_SonatainGm_003_00199.sv|Download]] | 
|Op.1 |2-7 |2-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_2-6_SonatainGm_003_00200.xml|Sonata in G major, Op. 1, No. 2 - Vivace, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_2-6_SonatainGm_003_00200.sv|Download]] |
|Op.1 |2-7 |3-6 |1694 |E-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_3-6_SonatainGm_003_00201.xml|Sonata in G major, Op. 1, No. 2 - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_3-6_SonatainGm_003_00201.sv|Download]] |
|Op.1 |2-7 |4-6 |1694 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_4-6_SonatainGm_003_00202.xml|Sonata in G major, Op. 1, No. 2 - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_4-6_SonatainGm_003_00202.sv|Download]] |
|Op.1 |2-7 |5-6 |1694 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_5-6_SonatainGm_003_00203.xml|Sonata in G major, Op. 1, No. 2 - Largo, Mvmt. 5]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_5-6_SonatainGm_003_00203.sv|Download]] |
|Op.1 |2-7 |6-6 |1694 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/BuDi_Op1_2-7_6-6_SonatainGm_003_00204.xml|Sonata in G major, Op. 1, No. 2 - Arioso and Variations, Mvmt. 6]] | [[https://analyse.hfm-weimar.de/database/sv/BuDi_Op1_2-7_6-6_SonatainGm_003_00204.sv|Download]] |


==== Corelli, Arcangelo (1653-1713) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.1 |1-12 |1-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_1-4_TrioSonata_003_00317.xml|Trio Sonata in F major - Grave, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_1-4_TrioSonata_003_00317.sv|Download]] |
|Op.1 |1-12 |2-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_2-4_TrioSonata_003_00318.xml|Trio Sonata in F major - Allegro, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_2-4_TrioSonata_003_00318.sv|Download]] |
|Op.1 |1-12 |3-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_3-4_TrioSonata_003_00319.xml|Trio Sonata in F major - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_3-4_TrioSonata_003_00319.sv|Download]] |
|Op.1 |1-12 |4-4 |1681 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op1_1-12_4-4_TrioSonata_003_00320.xml|Trio Sonata in F major - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op1_1-12_4-4_TrioSonata_003_00320.sv|Download]] |
|Op.4 |3-12 |1-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_1-4_TrioSonata_003_00419.xml|Trio Sonata in A major, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_1-4_TrioSonata_003_00419.sv|Download]] |
|Op.4 |3-12 |2-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_2-4_TrioSonata_003_00420.xml|Trio Sonata in A major, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_2-4_TrioSonata_003_00420.sv|Download]] |
|Op.4 |3-12 |3-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_3-4_TrioSonata_003_00421.xml|Trio Sonata in A major, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_3-4_TrioSonata_003_00421.sv|Download]] |
|Op.4 |3-12 |4-4 |1694 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/CoAr_Op4_3-12_4-4_TrioSonata_003_00422.xml|Trio Sonata in A major, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/CoAr_Op4_3-12_4-4_TrioSonata_003_00422.sv|Download]] |



==== Vivaldi, Antonio (1678-1741) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.8 |1-12 |1-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_1-3_ViolinConc_003_01067.xml|Violin Concerto in E major, No. 1 ('La primavera') - Allegro, Mvmt. 1 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_1-12_1-3_ViolinConc_003_01067.sv|Download]] |
|Op.8 |1-12 |2-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_2-3_ViolinConc_003_01068.xml|Violin Concerto in E major, No. 1 ('La primavera') - Largo, Mvmt. 2 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_1-12_2-3_ViolinConc_003_01068.sv|Download]] |
|Op.8 |1-12 |3-3 |1725 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_1-12_3-3_ViolinConc_003_01069.xml|Violin Concerto in E major, No. 1 ('La primavera') - Allegro; Danza Pastorale, Mvmt. 3 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_1-12_3-3_ViolinConc_003_01069.sv|Download]] |
|Op.8 |2-12 |1-3 |1725 |G-Moll |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_2-12_1-3_ViolinConc_003_01070.xml|Violin Concerto in G minor, No. 2 ('L'estate') - Allegro non molto, Mvmt. 1 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_2-12_1-3_ViolinConc_003_01070.sv|Download]] |
|Op.8 |2-12 |2-3 |1725 |G-Moll |[[https://analyse.hfm-weimar.de/database/03/ViAn_Op8_2-12_2-3_ViolinConc_003_01071.xml|Violin Concerto in G minor, No. 2 ('L'estate') - Adagio, Mvmt. 2 (composite edition)]] | [[https://analyse.hfm-weimar.de/database/sv/ViAn_Op8_2-12_2-3_ViolinConc_003_01071.sv|Download]] |


==== Bach, Johann Sebastian (1685-1750) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|BWV 7 |COM |1-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_1-7_CantataChr_004_00038.xml|Cantata "Christ unser Herr zum Jordan kam" - Chorus: Christ unser Herr zum Jordan kam]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_1-7_CantataChr_004_00038.sv|Download]] |
|BWV 7 |COM |2+3-7 |1724 |G major |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_2+3-7_CantataChr_004_00039.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (bass): Merkt und hört, ihr Menschenkinder & Recitative (tenor): Dies hat Gott klar mit Worten]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_2+3-7_CantataChr_004_00039.sv|Download]] |
|BWV 7 |COM |4-7 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_4-7_CantataChr_004_00040.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (tenor): Des Vaters Stimme ließ sich hören]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_4-7_CantataChr_004_00040.sv|Download]] |
|BWV 7 |COM |5-7 |1724 |B minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_5-7_CantataChr_004_00041.xml|Cantata "Christ unser Herr zum Jordan kam" - Recitative (bass): Als Jesus dort nach seinen Leiden]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_5-7_CantataChr_004_00041.sv|Download]] |
|BWV 7 |COM |6-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_6-7_CantataChr_004_00042.xml|Cantata "Christ unser Herr zum Jordan kam" - Aria (alto): Menschen, glaubt doch dieser Gnade]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_6-7_CantataChr_004_00042.sv|Download]] |
|BWV 7 |COM |7-7 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV7_COM_7-7_CantataChr_004_00043.xml|Cantata "Christ unser Herr zum Jordan kam" - Chorale: Das Aug allein das Wasser sieht]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV7_COM_7-7_CantataChr_004_00043.sv|Download]] |
|BWV 26 |COM |1-6 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_1-6_CantataAch_004_00156.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Chorale fantasia: Ach wie flüchtig, ach wie nichtig]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_1-6_CantataAch_004_00156.sv|Download]] |
|BWV 26 |COM |2-6 |1724 |C major |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_2-6_CantataAch_004_00157.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Aria (tenor): So schnell ein rauschend Wasser schießt]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_2-6_CantataAch_004_00157.sv|Download]] |
|BWV 26 |COM |3-6 |1724 |C major/E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_3-6_CantataAch_004_00158.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Recitativo (alto): Die Freude wird zur Traurigkeit]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_3-6_CantataAch_004_00158.sv|Download]] |
|BWV 26 |COM |4+5-6 |1724 |E minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_4+5-6_CantataAch_004_00159.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Aria (bass): An irdische Schätze das Herze zu hängen & Recitativo (soprano): Die höchste Herrlichkeit und Pracht]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_4+5-6_CantataAch_004_00159.sv|Download]] |
|BWV 26 |COM |6-6 |1724 |A minor |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV26_COM_6-6_CantataAch_004_00160.xml|Cantata "Ach wie flüchtig, ach wie nichtig" - Chorale: Ach wie flüchtig, ach wie nichtig]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV26_COM_6-6_CantataAch_004_00160.sv|Download]] |
|BWV 525 |COM |1-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_1-3_Triosonata_004_01362.xml|Triosonatas - Organ Sonata No.1, Mvmt. 1 ]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV525_COM_1-3_Triosonata_004_01362.sv|Download]] |
|BWV 525 |COM |2-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_2-3_Triosonata_004_01363.xml|Triosonatas - Organ Sonata No.1, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV525_COM_2-3_Triosonata_004_01363.sv|Download]] |
|BWV 525 |COM |3-3 |1730 |Es-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV525_COM_3-3_Triosonata_004_01364.xml|Triosonatas - Organ Sonata No.1, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV525_COM_3-3_Triosonata_004_01364.sv|Download]] |
|BWV 532 |COM |COM |1710 |D-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV532_COM_COM_Preludesan_004_01382.xml|Preludes and Fugues - Präludium und Fuge in D-Dur ]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV532_COM_COM_Preludesan_004_01382.sv|Download]] |
|BWV 532a |COM |COM |1710 |D-Dur |[[https://analyse.hfm-weimar.de/database/04/BaJoSe_BWV532a_COM_COM_Preludesan_004_01383.xml|Preludes and Fugues - Fuge in D-Dur (Frühfassung) ]] | [[https://analyse.hfm-weimar.de/database/sv/BaJoSe_BWV532a_COM_COM_Preludesan_004_01383.sv|Download]] |





==== Haydn, Franz Joseph (1732-1809)====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Hob.I:99 |COM |1-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_1-4_LondonSymp_003_00776.xml|London Symphonies - Symphony No. 99, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_1-4_LondonSymp_003_00776.sv|Download]] |
|Hob.I:99 |COM |2-4 |1793 |G-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_2-4_LondonSymp_003_00777.xml|London Symphonies - Symphony No. 99, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_2-4_LondonSymp_003_00777.sv|Download]] |
|Hob.I:99 |COM |3-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_3-4_LondonSymp_003_00778.xml|London Symphonies - Symphony No. 99, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_3-4_LondonSymp_003_00778.sv|Download]] |
|Hob.I:99 |COM |4-4 |1793 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobI99_COM_4-4_LondonSymp_003_00779.xml|London Symphonies - Symphony No. 99, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobI99_COM_4-4_LondonSymp_003_00779.sv|Download]] |
|Hob.III:35 |COM |1-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_1-4_StringQuar_003_00630.xml|String Quartet in F minor - Moderato, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_1-4_StringQuar_003_00630.sv|Download]] |
|Hob.III:35 |COM |2-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_2-4_StringQuar_003_00631.xml|String Quartet in F minor - Menuetto, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_2-4_StringQuar_003_00631.sv|Download]] |
|Hob.III:35 |COM |3-4 |1772 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_3-4_StringQuar_003_00632.xml|String Quartet in F minor - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_3-4_StringQuar_003_00632.sv|Download]] |
|Hob.III:35 |COM |4-4 |1772 |F-Moll |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobIII35_COM_4-4_StringQuar_003_00633.xml|String Quartet in F minor - Fuga a due soggetti, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobIII35_COM_4-4_StringQuar_003_00633.sv|Download]] |
|Hob.XVI:12 |COM |1-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_1-3_SonataNo12_003_00800.xml|Sonata No. 12 in A major - Andante., Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobXVI12_COM_1-3_SonataNo12_003_00800.sv|Download]] |
|Hob.XVI:12 |COM |2-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_2-3_SonataNo12_003_00801.xml|Sonata No. 12 in A major - TRIO.\nminore., Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobXVI12_COM_2-3_SonataNo12_003_00801.sv|Download]] |
|Hob.XVI:12 |COM |3-3 |1767 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/HayFraJo_HobXVI12_COM_3-3_SonataNo12_003_00802.xml|Sonata No. 12 in A major - Finale.: Allegretto., Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/HayFraJo_HobXVI12_COM_3-3_SonataNo12_003_00802.sv|Download]] |


==== Mozart, Wolfgang Amadeus (1756-1791) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|K.171 |COM |1-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_1-4_StringQuar_003_00867.xml|String Quartet No. 11 in E-flat major - Adagio, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_1-4_StringQuar_003_00867.sv|Download]] |
|K.171 |COM |2-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_2-4_StringQuar_003_00868.xml|String Quartet No. 11 in E-flat major - Menuetto, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_2-4_StringQuar_003_00868.sv|Download]] |
|K.171 |COM |3-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_3-4_StringQuar_003_00869.xml|String Quartet No. 11 in E-flat major - Andante, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_3-4_StringQuar_003_00869.sv|Download]] |
|K.171 |COM |4-4 |1773 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/MoWo_K171_COM_4-4_StringQuar_003_00870.xml|String Quartet No. 11 in E-flat major - Allegro assai, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K171_COM_4-4_StringQuar_003_00870.sv|Download]] |
|K.310 |COM |1-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_1-3_PianoSonat_003_00953.xml|Piano Sonata No. 8 in A minor - Allegro maestoso, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K310_COM_1-3_PianoSonat_003_00953.sv|Download]] |
|K.310 |COM |2-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_2-3_PianoSonat_003_00954.xml|Piano Sonata No. 8 in A minor - Andante cantabile con espressione., Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K310_COM_2-3_PianoSonat_003_00954.sv|Download]] |
|K.310 |COM |3-3 |1778 |A-Moll |[[https://analyse.hfm-weimar.de/database/03/MoWo_K310_COM_3-3_PianoSonat_003_00955.xml|Piano Sonata No. 8 in A minor - Presto., Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K310_COM_3-3_PianoSonat_003_00955.sv|Download]] |
|K.551 |COM |COM |1788 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/MoWo_K551_COM_COM_SymphonyNo_001_00362.xml|Symphony No. 41 in C major ('Jupyter')]] | [[https://analyse.hfm-weimar.de/database/sv/MoWo_K551_COM_COM_SymphonyNo_001_00362.sv|Download]] |



==== Beethoven, Ludwig van (1770-1827) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.10 |1-3 |1-3 |1795-97 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_1-3_PianoSonat_003_00019.xml|Piano Sonata No. 5 in C minor - Allegro molto e con brio, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op10_1-3_1-3_PianoSonat_003_00019.sv|Download]] |
|Op.10 |1-3 |2-3 |1795-97 |As-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_2-3_PianoSonat_003_00020.xml|Piano Sonata No. 5 in C minor - Adagio molto, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op10_1-3_2-3_PianoSonat_003_00020.sv|Download]] |
|Op.10 |1-3 |3-3 |1795-97 |C-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op10_1-3_3-3_PianoSonat_003_00021.xml|Piano Sonata No. 5 in C minor - Finale: Prestissimo, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op10_1-3_3-3_PianoSonat_003_00021.sv|Download]] |
|Op.18 |1-6 |1-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_1-4_StringQuar_003_00104.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Allegro con brio, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_1-4_StringQuar_003_00104.sv|Download]] |
|Op.18 |1-6 |2-4 |1799 |D-Moll |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_2-4_StringQuar_003_00105.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Adagio affettuoso ed appassionato, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_2-4_StringQuar_003_00105.sv|Download]] |
|Op.18 |1-6 |3-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_3-4_StringQuar_003_00106.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Scherzo: Allegro molto, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_3-4_StringQuar_003_00106.sv|Download]] |
|Op.18 |1-6 |4-4 |1799 |F-Dur |[[https://analyse.hfm-weimar.de/database/03/BeLuva_Op18_1-6_4-4_StringQuar_003_00107.xml|String Quartet No. 1 in F major, Op. 18, No. 1 - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/BeLuva_Op18_1-6_4-4_StringQuar_003_00107.sv|Download]] |

 


==== Schubert, Franz (1797-1828) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|D.87 |COM |1-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_1-4_StringQuar_003_01007.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro piu moderato, Mvmt. 1]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_1-4_StringQuar_003_01007.sv|Download]] |
|D.87 |COM |2-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_2-4_StringQuar_003_01008.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Scherzo (Prestissimo) - Trio, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_2-4_StringQuar_003_01008.sv|Download]] |
|D.87 |COM |3-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_3-4_StringQuar_003_01009.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Adagio, Mvmt. 3]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_3-4_StringQuar_003_01009.sv|Download]] |
|D.87 |COM |4-4 |1830 |Es-Dur |[[https://analyse.hfm-weimar.de/database/03/ScFr_D87_COM_4-4_StringQuar_003_01010.xml|String Quartet No. 10 in E-flat major, Op. 125, No. 1 - Allegro, Mvmt. 4]] | [[https://analyse.hfm-weimar.de/database/sv/ScFr_D87_COM_4-4_StringQuar_003_01010.sv|Download]] |


==== Chopin, Fryderyk Franciszek (1810-1849) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.4 |COM |2-4 |1828 |Es |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op4_COM_2-4_PianoSonat_001_00108.xml|Piano Sonata No. 1 in C minor - Minuetto. Allegretto - Trio]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op4_COM_2-4_PianoSonat_001_00108.sv|Download]] |
|Op.4 |COM |4-4 |1828 |C-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op4_COM_4-4_PianoSonat_001_00110.xml|Piano Sonata No. 1 in C minor - Finale. Presto]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op4_COM_4-4_PianoSonat_001_00110.sv|Download]] |
|Op.10 |1-12 |COM |1833 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_1-12_COM_EtudeinCma_001_00114.xml|Etude in C major ('Waterfall')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_1-12_COM_EtudeinCma_001_00114.sv|Download]] |
|Op.10 |2-12 |COM |1833 |A-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_2-12_COM_EtudeinAmi_001_00115.xml|Etude in A minor ('Chromatique')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_2-12_COM_EtudeinAmi_001_00115.sv|Download]] |
|Op.10 |3-12 |COM |1833 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_3-12_COM_EtudeinEma_001_00116.xml|Etude in E major ('Tristesse')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_3-12_COM_EtudeinEma_001_00116.sv|Download]] |
|Op.10 |4-12 |COM |1833 |Cis-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_4-12_COM_EtudeinC-S_001_00117.xml|Etude in C-Sharp minor ('Torrent')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_4-12_COM_EtudeinC-S_001_00117.sv|Download]] |
|Op.10 |5-12 |COM |1833 |Ges-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_5-12_COM_EtudeinG-F_001_00118.xml|Etude in G-Flat major ('Black Keys')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_5-12_COM_EtudeinG-F_001_00118.sv|Download]] |
|Op.10 |6-12 |COM |1833 |Es-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_6-12_COM_EtudeinE-F_001_00119.xml|Etude in E-Flat minor ('Lament')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_6-12_COM_EtudeinE-F_001_00119.sv|Download]] |
|Op.10 |7-12 |COM |1833 |C-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_7-12_COM_EtudeinCma_001_00120.xml|Etude in C major ('Toccata')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_7-12_COM_EtudeinCma_001_00120.sv|Download]] |
|Op.10 |9-12 |COM |1833 |F-Moll |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_9-12_COM_EtudeinFmi_001_00122.xml|Etude in F minor]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_9-12_COM_EtudeinFmi_001_00122.sv|Download]] |
|Op.10 |10-12 |COM |1833 |As-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_10-12_COM_EtudeinA-F_001_00123.xml|Etude in A-Flat major]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_10-12_COM_EtudeinA-F_001_00123.sv|Download]] |
|Op.10 |11-12 |COM |1833 |Es-Dur |[[https://analyse.hfm-weimar.de/database/01/ChFrFr_Op10_11-12_COM_EtudeinE-F_001_00124.xml|Etude in E-Flat major ('Arpeggio')]] | [[https://analyse.hfm-weimar.de/database/sv/ChFrFr_Op10_11-12_COM_EtudeinE-F_001_00124.sv|Download]] |




==== Liszt, Franz (1811-1886) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|S.141 |4-6 |COM |1851 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_4-6_COM_Grandesetu_001_00328.xml|Grandes etudes de Paganini - Arpeggio]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S141_4-6_COM_Grandesetu_001_00328.sv|Download]] |
|S.141 |5-6 |COM |1851 |E-Dur |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_5-6_COM_Grandesetu_001_00329.xml|Grandes etudes de Paganini - La chasse]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S141_5-6_COM_Grandesetu_001_00329.sv|Download]] |
|S.141 |6-6 |COM |1851 |A-Moll |[[https://analyse.hfm-weimar.de/database/01/LiFra_S141_6-6_COM_Grandesetu_001_00330.xml|Grandes etudes de Paganini - Themes et variations]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S141_6-6_COM_Grandesetu_001_00330.sv|Download]] |
|S.171 |COM |COM |1853 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/LiFra_S171_COM_COM_BalladeNo2_003_00822.xml|Ballade No. 2 in B minor, S. 171, Mvmt. C]] | [[https://analyse.hfm-weimar.de/database/sv/LiFra_S171_COM_COM_BalladeNo2_003_00822.sv|Download]] |



==== Bruckner, Anton (1824-1896) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|WAB 109 |COM |3-3 |1894 |D-Moll |[[https://analyse.hfm-weimar.de/database/01/BrAn_WAB109_COM_3-3_SymphonyNo_001_00063.xml|Symphony No.9 in D minor - Adagio. Langsam, feierlich]] | [[https://analyse.hfm-weimar.de/database/sv/BrAn_WAB109_COM_3-3_SymphonyNo_001_00063.sv|Download]] |

 

==== Brahms, Johannes (1833-1897) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.1 |COM |2-4 |1852-53 |C-Dur |[[https://analyse.hfm-weimar.de/database/03/BraJo_Op1_COM_1-4_PianoSonat_003_00182.xml|Piano Sonata No. 1 in C major, Op. 1 - Andante, Mvmt. 2]] | [[https://analyse.hfm-weimar.de/database/sv/BraJo_Op1_COM_1-4_PianoSonat_003_00182.sv|Download]] |


==== Dvorak, Antonin (1841-1904) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.95 |COM |4-4 |1896 |E-Moll |[[https://analyse.hfm-weimar.de/database/01/DvoAn_Op95_COM_4-4_SymphonyNo_001_00270.xml|Symphony No. 9 in E minor - Allegro con fuoco]] | [[https://analyse.hfm-weimar.de/database/sv/DvoAn_Op95_COM_4-4_SymphonyNo_001_00270.sv|Download]] |



==== Debussy, Claude (1862-1918) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|CD 97 |1-3 |COM |1899 | |[[https://analyse.hfm-weimar.de/database/01/DeCl_CD97_1-3_COM_LaFlutedep_001_00230.xml|La Flute de pan]] | [[https://analyse.hfm-weimar.de/database/sv/DeCl_CD97_1-3_COM_LaFlutedep_001_00230.sv|Download]] |



==== Skrjabin, Aleksandr Nikolaevič (1871-1915) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.8 |COM |1-12 |1894 |Cis-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_1-12_12EtudesOp_003_01057.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 1 - Allegro]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_1-12_12EtudesOp_003_01057.sv|Download]] |
|Op.8 |COM |2-12 |1894 |Fis-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_2-12_12EtudesOp_003_01058.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 2 - A capriccio, con forza]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_2-12_12EtudesOp_003_01058.sv|Download]] |
|Op.8 |COM |3-12 |1894 |H-Moll |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_3-12_12EtudesOp_003_01059.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 3 - Tempestoso]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_3-12_12EtudesOp_003_01059.sv|Download]] |
|Op.8 |COM |4-12 |1894 |H-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_4-12_12EtudesOp_003_01060.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 4 - Piacevole]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_4-12_12EtudesOp_003_01060.sv|Download]] |
|Op.8 |COM |5-12 |1894 |E-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_5-12_12EtudesOp_003_01061.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 5 - Brioso]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_5-12_12EtudesOp_003_01061.sv|Download]] |
|Op.8 |COM |6-12 |1894 |A-Dur |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_6-12_12EtudesOp_003_01062.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 6 - Con grazia]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_6-12_12EtudesOp_003_01062.sv|Download]] |
|Op.8 |COM |9-12 |1894 |Gis-Moll |[[https://analyse.hfm-weimar.de/database/03/SkAlNi_Op8_COM_9-12_12EtudesOp_003_01063.xml|12 Etudes, Op. 8 - Etude, Op. 8, No. 9 - Alla ballata]] | [[https://analyse.hfm-weimar.de/database/sv/SkAlNi_Op8_COM_9-12_12EtudesOp_003_01063.sv|Download]] |


==== Bartók, Béla (1881-1945) ====
^Opus^Nr. in Opus^Satz-Nr.^Jahr^Tonart^Werktitel^Piano Roll^
|Op.6 |1-14 |COM |1908 | |[[https://analyse.hfm-weimar.de/database/01/BaBe_Op6_1-14_COM_14Bagatell_001_00022.xml|14 Bagatelles for Piano - Molto Sostenuto]] | [[https://analyse.hfm-weimar.de/database/sv/BaBe_Op6_1-14_COM_14Bagatell_001_00022.sv|Download]] |
|Op.6 |2-14 |COM |1908 | |[[https://analyse.hfm-weimar.de/database/01/BaBe_Op6_2-14_COM_14Bagatell_001_00023.xml|14 Bagatelles for Piano - Allegro giocoso]] | [[https://analyse.hfm-weimar.de/database/sv/BaBe_Op6_2-14_COM_14Bagatell_001_00023.sv|Download]] |