Unterschiede
Hier werden die Unterschiede zwischen zwei Versionen angezeigt.
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- | Lessons and modules | + | ===== Lessons and modules |
- | The modules and tutorials provided here introduce various possibilities of computer-assisted analysis of sheet music and audio files on the basis of music-analytical questions. Each of the two teaching units Sheet Music or Audio consists of a basic module (Basics Sheet Music or Basics Audio) and a specialization (Advanced Sheet Music or Advanced Audio). | + | |
- | Module Basics Sheet Music | + | The modules and tutorials provided here introduce various possibilities of computer-assisted analysis |
- | Advanced Sheet Music Module | + | |
- | Module Basics Audio | + | |
- | Advanced Audio Module | + | |
- | The teaching units (Lessons) can be carried out in self-study or within courses. The duration | + | |
- | But first to the question: | + | |
- | Why do we analyze music? | + | The teaching units (Lessons) can be carried out in self-study or within courses. The duration of the lessons is approximately 4-6 hours or three sessions of a 90-minute with additional preparation, |
- | There are certainly many different objectives for analyzing music. However, | + | |
- | How does a certain effect | + | Today, various procedures and approaches |
- | Or I want to illustrate or clarify something especially when I want to convey and share my experience | + | |
- | Analysis as a discovery and descriptive approach to music always means making musical events explicit, and is thus a means for understanding and a prerequisite for communicating music. | + | |
- | There are a number of applications | + | The teaching unit // |
- | Piece analysis: the special features of a particular piece are analytically worked out. On this basis, an interpretation of the piece can then be made, e.g. with regard to specific effects | + | The methodical extension cannot |
- | Stylistic analysis: The presentation of the peculiarities of a certain style in a temporally or regionally delimited area or of a personal style. Examples of individual compositions or performances that are typical of a particular style may be examined - or an attempt may be made to derive | + | |
- | Music historical perspective: | + | |
- | Today, | + | |
- | The methodical extension cannot and does not want to replace the listening of music and the examination of the musical text in any case - but rather wants to extend and empirically substantiate it. | + | The project is currently in the testing phase. Feedback is welcome: |
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- | The teaching unit (Lessons) on audio analysis focuses on recordings - and thus on listening to music. Recordings can also be visualized with the help of the computer, especially by displaying the spectral energy distribution in relation to time (Basics Audio). For recordings of popular music, of ethnic music, but also of electroacoustic music, new analytical approaches have been developed in which musical notation sometimes plays no role (Advanced Audio). | + | |
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- | The project is currently in the testing phase. Feedback is welcome: analyse@hfm-weimar.de | + |